non-fiction

The Krushtones + The Sand Dollar Social Club = Federico Fellini

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The Sound Track

One of the most pleasurable rites of spring celebrated in the Lowcountry each year occurs at the Sand Dollar Social Club on Folly Beach when the Krushtones take the stage for their annual April gig.  

[Cue country preacher]: We’re talking glorification, brothers and sisters, talking bout light!

Krush-tones: (krùsh’– tõns)  n. a band that features high-Watt[s] drumming; a bodacious bottom; a searing, eloquent guitar; and  a latter day Jerry Lee Lewis on keyboards.   

Joyous!  

I swear, even if they were a mediocre band, the Krushtones’ taste is so exquisite I’d pay to hear the song sets. Al Green/ Talking Heads, the Beatles, Stones, Chuck Berry.  But mediocre they ain’t.  They exude this palatable vibe of happiness that spreads in concentric circles as if a pearl has been dropped into a pool of sound.  

Make you want to dance and holler hallelujah!

The Sand Dollar itself is difficult to categorize.  As a private social club, it offers all of the exclusiveness of a subway station.  One dollar secures you a year’s membership, but you can’t actually enter the club until 24 hours after your card has been issued.  A typical Friday and Saturday night offers free live music, canned beer for a buck, and and an eclectic clientele that, depending on the vibe the night you happen to be there, ranges from Felliniesque to Lynchian.  

Bikers comprise a large contingent of the revelers, parking their Harleys (I don’t think I’ve ever seen a BMW) perilously close together out front like a chorus line of internally combustive Rockettes.  I dread the day some reeling rummy trips and sets them crashing domino style one after the other. Years ago, before the bikers arrived, I had parked my VW minibus just in front of the designated space.  When JB and I left for home, I was horrified to see at least twenty Harleys lined up about six inches from my back bumper and another car looming about a foot from my front bumper.  Luckily, the fellow pictured below, a regular, helped me successfully to negotiate the scores of gear shifts, wheel turns, and progressions/reversals that liberated me from that straitened space.

Joining the bikers as a discernible group are the long-in-the-tooth dead-end hedonists, who can be subdivided into old hippies and old shaggers.  These sybarites, who hated each other in high school  (the former letting their freak flag[s] fly, the latter sliding sockless feet into their Bass Weejuns) have mellowed over the years and appreciate each other in their shared ethos of self-medication and the never ending but increasingly difficult quest of getting laid.                

A calico combination of others rounds out the squad – attractive, young preppies; South of Broad slummers; working folk shooting pool; the occasional bombastic prophet-of-doom blogger. 

Lynchian vis-a-vis Felliniesque 

What’s the distinction, you may wonder, between these two cinematic adjectives denoting surrealism?  

Although baroque, Fellini’s surrealism tends towards the comic/satiric.  His Satyricon, for example, counterbalances sensuous  shots with grotesque images of Late Empire overindulgence.  Carnivalesque might be an appropriate approximation. 

Lynch’s surrealism is darker, a world of evil where the hideous co-mingle with grotesquely bland clichés of Americana, a la the image of above, where the sinister red-clad midget sits beside someone who looks like he may be employed as a hardware store clerk in a Norman Rockwell painting or the son of the couple depicted in Grant Wood’s American Gothic.  Kafkalite-ish.

If I had to choose between the hellish dilemma of spending eternity in a Fellini film or a Lynch film, I’d definitely opt for the former.  Underneath all of the grotesqueness of Fellini lies a positive procreative impulse. Take “The Widow of Ephesus” segment of The Satyricon, for example, where  a woman who has decided to starve herself in her husband’s tomb is seduced by a soldier guarding crucified corpses.  

Now that’s what I call pro life.

Lynch, on the other hand, is anti-life.  Not that his films aren’t hugely enjoyable and laugh- out-loud funny.  Nevertheless, like the parents in Eraserhead, procreation begets monstrosity.  You don’t want to bring a child into David Lynch’s world.

In short, a Felliniesque evening at the Sand Dollar is more pleasurable Lynchian evening, 

Friday, 9 April 2010 

I’m not making this up.  During the Krushtones’ first set, I witnessed the departure of one of Charleston’s wealthiest septuagenarians and his seeing-eye trophy wife.  She, a blonde, a head taller and thirty years younger, held his hand mommy-like as she led him through the throng.  As they were leaving, three female dwarves dressed to the nines flowed past them and took their place at the corner of the stage.  I repeat, I’m not making this up.

Lynchian or Felliniesque?

If Johnny Mac had been playing that night, a man deeply in love with the sound of his own guitar, or Jeannie Wiggins, thumping serviceable rock to her adoring groupies, the karma might have darkened the brain chemistry that ultimately determines the existential nature of my world.  However, with the Krushtones on stage, beaming, jumping, singing “Lady Madonna,”  the positive vibration was infectious.  Even the stern-faced bouncer who looks like the promotional US Marine of recruitment commercials cracked a smile.

Too bad the Krushtones were too young to play at Altamont.

The Philistines Are Coming! The Philistines Are Coming!

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“At pettiness that plays so rough”

Bob Dylan, “It’s Alright Ma, (I’m Only Bleeding)”

an illustration from Farhenheit 451

Man, oh man – or should I say, woman, oh woman – the culture wars are heating up bigtime in this fractured nation of ours. 

For example, in Virginia, Nobel Laureate Toni Morrison’s Pulitzer-winning novel Beloved has become an issue in the governor’s race. Last Monday, Republican candidate Glenn Youngkin ran an ad featuring a conservative mother complaining that the novel gave her son, a senior at the time, nightmares.

As a former chair of an English Department, I’m not unfamiliar with over-protective parents shoving their noses into reading curricula. In fact, I faced a very similar complaint about Margaret Atwood’s The Hand Maid’s Tale, that reading the novel had depressed another high school senior, in this case a star of the football team.

Here’s an excerpt from an email I wrote to the parent.

I think that it is understandable that you are concerned that students, after so much sorrow last year, might react negatively to the novel.  However, given that the ending of The Hand Maid’s Tale offers a more upbeat conclusion than that of the 8th and 9th grade summer books, Of Mice and Men and 1984 respectively, I am confident that rising seniors will be ultimately encouraged by the novel rather than depressed by it. After all, some less-sheltered eighteen-year-olds might very well encounter the real thing in war-torn Afghanistan if they enlist in the armed services.

Come on, if high school seniors are so delicate that they can’t vicariously deal with fictive unpleasantness, perhaps we should consider sending them to military school in Tunisia to toughen them up a bit. 

Meanwhile, over in Texas, state legislator Matt Krause has compiled a list of 850 books that “might make students feel discomfort, guilt, anguish, or any other form of psychological distress because of their race or sex.”

Titles include John Irving’s The Cider House Rules and William Styron’s The Confessions of Nat Turner.

Matt Krause reading from Ezra Pound’s “Canto XIV,” “The stench of wet coal, politicians . . .”

On the plus side, I see an opportunity for authors who gaze at the human condition through rose-tinted glasses to crank out novels that, rather than challenging students to confront our history or to experience the travails of others, provide them with the stress-free experience of having their narrow world views celebrated.

Humbly, in the tradition of Jonathan Swift, I offer this excerpt from a novel in progress:

Yippee-Ki-Yay

Chapter One: Awakening (in which our hero greets a brand new, God-given day)

Like two tightly strung window shades, Justin Odessa’s eyes popped open precisely at 6:29 a.m. 

Blinking, he retrieved his phone, fully charged, from his bedside table and disengaged the alarm, which had been set for 6:35. Now he had six or so minutes to lie quietly and think about the upcoming morning, which featured a school bus ride, a history and AP chemistry test, and a chance to interact with Margo, his current infatuation. 

How fortunate, he mused, to live in the greatest country the world had ever known, the land of the free and home of the brave, a nation where anyone could succeed if they just worked hard and did what they were supposed to do. And what he was supposed to do was to get up, walk to the bathroom, take a shower, brush his teeth, run a comb through his tawny hair, and get dressed, which he did. 

Already from downstairs he could smell the pancakes and bacon his stay-at-home mom was preparing in the kitchen whose bay window looked out over the plain where pioneer ancestors had traveled via cover wagons and created a true civilization based on cattle breeding, oil extraction, and the Word of God Almighty.

Clad in his school uniform – a purple polo shirt emblazoned with the Midland Senior High Bulldog and a pair of khakis – he greeted his aproned mom with a cherry good-morning, and her glittery smile proclaimed the benefits of rigorous dental hygiene as her teeth fairly sparkled in the October morning sun that streamed into a bright kitchen and illuminated metallic appliances that shone like mica.

As he ate his breakfast, Justin glanced at the sports page and saw that his beloved Astros had triumphed over the Atlanta Braves, the way that civilized Europeans had triumphed over the savage Indians, which reminded him that he should glance over his history notes during the twenty-minute bus to school. He had spent most of his weekend studying chemistry, which he found challenging. Nevertheless, he had been brought up not to shy away from challenges, but to confront them head on.

Once he had cleaned his plate, he bussed the dishes to the sink, rinsed them off, and arranged them in the dishwasher. 

“Bye, Mom,” he said, grabbing his bookbag, which had been packed the night before and hung on the pegs next to the door.

“Bye-Bye, sweetie. Good luck on your tests today.”

“I’m ready, I think.”

“Of course, you are,” she said, drying her hands on her apron. “Dad and I are so proud of you!”

So out the side door he went and over to the road to wait on the bus where nothing stressful at all would occur because people in Midlands, Texas, are brought up right. 

Anyway, I’ll end with another excerpt from my letter:

It is a legitimate question to ask why so much of modern literature is so negative.  After all, looking towards Hollywood, one rarely ever encounters an unhappy ending.  However, unlike most movies, great literature provides students with a realistic portrait of the world and endows them with the vicarious experience that comes with experiencing the struggles, triumphs, and, yes, defeats of its characters.  For example, Hamlet – about as tragic a work of literature you’ll ever encounter – provides a realistic picture of the mourning of a fallen father, a mother’s obscenely hasty remarriage a month after her husband’s death, the dissolution of an adolescent love affair, and about as many corpses as will fit onto a stage.  Yet, when we finish reading (or seeing) the play, we’re not depressed but can share in the nobility of a person’s battle against “a sea of troubles” and say with Hamlet “what a piece of a work is man, how noble in reason.”  Moreover, we can perhaps learn from Hamlet’s mistakes.  They have become a part of our experience because Hamlet to us is a fellow human being.

The Uncertainty of Setting Forth

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Jean-Paul Sartre

Allow me to wax metaphysical for a moment.  Life doesn’t begin at conception (the sperm and ova are alive after all) but began 3.5 billion years ago.  Life is a continuum through which beings may or may not replicate their DNA.  Randomness, not God, is the determinate in the clusterfucked process known as evolution – mutative, extinction-plagued, indifferent.

My grand transition from the birth-cave to the here-and-[not now]-now[1] occurred on a rare snowy day in Dorchester County, SC, on 14 December 1952, a leap year, an election year.  Thanks to my paternal grandmother’s terminal cancer, Clemson class-cutter meets student nurse, they elope, eschew contraception, and B-I-N-G-O!

In other words, I owe my existence to a 40-year-old woman’s terminal cancer.  If she had lived to a ripe old age, my father wouldn’t have met my mother.  He would have mated with someone else and produced a different Wesley Lee-Edward Moore III, and my mother, no doubt, would have produced other children with different surnames.  Rather than sitting here flailing away at the keyboard, the matter that constitutes me would be distributed elsewhere, and the not-I-and-I would be as oblivious to the Orwellian chicanery of Trumpworld as it was to Oliver Cromwell’s right-wing Interregnum, as oblivious to tonight’s World Series Game 5 as it was to Shoeless Joe Jackson’s stellar .375 batting average in the 1919 Black Sox series.

My not being would merely be a matter of indifference.   

What youthful mother, a shape upon her lap
Honey of generation had betrayed,
And that must sleep, shriek, struggle to escape
As recollection or the drug decide,
Would think her Son, did she but see that shape
With sixty or more winters on its head,
A compensation for the pang of his birth,
Or the uncertainty of his setting forth?

                    WB Yeats “Among School Children”

the author with 68 winters on its head

[1] That phrase, by the way, should be sung aloud to the tune of “Papa Oom Mow Mow.”

Darkness

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Bosch

Since Halloween is the day after tomorrow and tonight I’m headed to a costume party dressed up as Dr. John, the Night Tripper, a practitioner of voodoo, I thought I’d darken your day (or night) with some musings on the concept of evil.

Frankly, in my philosophical musings, I’ve avoided the origin of evil.  I’ve read a bit of Augustine, a bit of Hume, but the left side of my brain leaves much to be desired; it is a virtual empty lot where tumbleweed tumbles and winds of distraction drown out the lecturer who argues in soporific sentences like these:

From [the idea that nature is not as good as its creator] there follows that there is nothing to be called evil if there is nothing good.  A good that wholly lacks an evil aspect is totally good.  Where there is some evil in a thing, its good is defective or defectible (sic).  Thus, there can be no evil where there is no good. This leads us to a surprising conclusion: that, since every being, in so far as it is a being, is good, if we can say a defective thing is bad, it would seem to mean that we are saying that what is evil is good, that only what is good is ever evil and that there is no evil apart from something good.

                                                        Augustine: Enchiridion

Illustration by Wesley Moore: “The worlds revolve like ancient women,/ Gathering fuel in vacant lots.”

Like I said, my analytical skills leave much to be desired, but Augustine’s argument that evil is a privation of good (thus letting God off the hook for evil’s existence) strikes me as whistling past the boneyard.

Hume ain’t buying it:

The whole presents nothing but the idea of a blind nature, impregnated by a great vivifying principle, and pouring forth from her lap, without discernment or parental care, her maimed and abortive children!

                                                             Dialogues Concerning Natural Religion

Ignoring the incredibly complicated question of why a morally perfect Deity would allow evil into his creation, the Hebrew myth of Lucifer’s Fall does a pretty damned[1] good job of capturing evil’s innate human cause – pride and territorial dominance.  

In a sense, we can attribute the Fall to a kinghell[2] case of sibling rivalry, Lucifer’s jealousy of Yahweh’s power (or in the Miltonic version, the creation of Jesus as favorite son).  Of course, that other pillar of Western Civilization, the Hellenic, also has much to say about the evils of hubris, the harmatia of many an ancient tragic hero and contemporary public servant.

Oedipus

If we’re to accept Hume’s bleak assessment (finished in 1776, eighty-three years before Darwin published Origen of Species), then perhaps a peek at our maimed and abortive cousins chimpanzees might shed some light.   

Territory and sex seem to be the two main motives for chimpanzee murders.  Clara Moskowitz is a little easer reading than Augustine or Hume:

“The take-home is clear and simple,” said researcher John Mitani of the University of Michigan. “Chimpanzees kill each other. They kill their neighbors. Up until now, we have not known why. Our observations indicate that they do so to expand their territories at the expense of their victims.”

Sex is also a motive, especially in infanticide.  Further down the chain, langur monkeys, like their more sophisticated chimpanzee cousins, also engage in infanticide:

If the alpha langur is not successful [in defending his place in the pecking order], the young males then take over the troop, and systemically and brutally kill infant langurs, smashing them against the trees, crushing their skulls, until all infants are dead.

The young female langurs in the troop remain unhurt, as they are the love object of the young males.

The young males then begin to seat themselves at the head of their own helm, to take many females who will then bear offspring only to them.

Biologically, it is important for the band of marauding young males to to kill the infants, because the infants are preventing the females from bearing new young.

The females are suckling the infants, and by so doing, are incapable of having new infants.

                                                         Kathryn Esplin “Why Do Chimpanzee Murder”

We share ~ 98.7% of our DNA with chimps, interestingly enough, the same percentage we share with bonobos, who are less studied than chimps.  They and chimps were at one time the same species, but after the Congo River formed, they separated into two distinct species, chimps organizing along patriarchal lines and bonobos along matriarchal lines.  

Can you guess which species relieves its tension through sex and which through violence?

So I say we let Eve and Pandora off the hook. What do Charles Whitman (University of Texas August 1966), Seung-Hui Cho (Virginia Tech 2007), and Adam Lanza (Sandy Hook December 2012) have in common?

Y chromosomes, a sense of entitlement, thin skin, territorial insecurity, and pride.

Happy Halloween!

Dr. John, the Night Tripper

[1] Forgive the execrable pun, loves.

[2] I’m on a roll.

Praise Be!

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Not Nick’s bus but close enough

In a Downton Abbey episode, the Dowager asks some lower order of humanity, and I’m paraphrasing, “This weekend you speak of – what is a weekend?”

Now that I have attic-stashed my academic robes, I can somewhat identify. Although my wife Caroline and stepdaughter Brooks are still bound by the chains of weekday responsibilities, I am not.  There’s no place I must be on a Monday or Tuesday of Friday morning unless I have scheduled a doctor’s appointment or a meeting with my ace financial advisor Jumping Jack Flash Evans[1], or better yet, brunch with an out-of-town visitor. 

Nevertheless, I still prefer weekends over weekdays because they’re more festive. No longer do I have the Sisyphean routine of essay assessment intruding upon a glorious Saturday, 65-degree, low humidity morning. I can walk with my [tautology warning] high-strung Chihuahua/rat terrier mix to the post office, taking either beach or river route, picking up her poop with aplomb, punishing ordinance-breaking layabouts[2] on the river route who have left their garbage receptacles on the street by plopping the biodegradable shit sack into their trash cans. 

Grading Essays on a Saturday

I can do yard work or not or watch ESPN’s Game Day or not or crank out a blog post or not. 

This is not to say that my life is stress free. Yesterday, for example, I obsessed over the upcoming Game 6 of the Braves vs. Dodgers, NCLS game. In the morning, I puttered around the house, clipping Elaeagnus, solving crosswords, and fretting about a Capital One card that had gone AWOL. Although the Braves were in the enviable position of being up 3-2 in the series, a decades long legacy of losing shadowed that rosy scenario. After all, they were up 3-1 last year and failed to win the series.

Although I hesitate to share with my readers (so far this year 17,000 visitors from 125 countries, including Mongolia), when I’m anxious about something, I tend to self-medicate. So, I cracked open a beer earlier than usual. Selfless Caroline was escorting Brooks and two of her friends to Fright Nite, a Halloween extravaganza 45-tedious-minutes away (we’re talking crossing at least five bridges and encountering hundreds of un-masked people standing in lines for hayrides), so given the early beer and etcetera, I decided to stay at home on the island and watch Clemson and Pitt collide on the gridiron. 

As I sat in front of computer waiting for kickoff, I received a text from my friend Nick Daily, who was enjoying a beverage at the Drop-In on Center Street. So, I hopped on Caroline’s bike and pedaled the six blocks, stashed the bike in an alleyway, and ambled on in to find Nick and his neighbor William at the bar. Nick has a bad jones for VWs and had driven a vintage (I think 70s) micro bus that wouldn’t start, so he and William were sitting around waiting for whatever was ailing the bus to heal itself. Disgruntled, William fretted over the fact that he had sneaked away while his wife was gone and his dogs needed to taken outside to relieve themselves. 

Nick was confident that the bus would start, William less so. Nick left a couple of times to try to crank it, and although without success, he intimated that the engine had hiccuped, which was a good sign. William had had enough, however. He paid his bill and left, perhaps to hire an Uber. His farewell was, shall we say, brusque.

I suggested to Nick we split for Chico Feo, and he agreed. He’d decided to try to start the bus again, so we both clambered aboard. I’ve owned two such vehicles, and, let me tell you, they all smell exactly alike, a musty old upholstery aroma augmented by an olfactory trace of leaking oil. 

I love that smell.

Lo and behold, as Nick turned the ignition, the engine coughed its way into life, and we drove the two blocks to Chico where a bachelor party was going strong with sleeveless toxic males chugging beer to the Dionysian chants of vociferous inebriates.[3]

Bachelor Party at Chico Feo by Wesley Moore

On the corner of the bar sat Jenny, a former colleague. Her husband Allan had just purchased a Harley, so they were in the best of moods. My pal Greg was a-foot, and bartender Katie had just gotten a new tattoo (pictured below). I checked my phone. Clemson, who had been ahead at the Drop-In were two touchdowns down (PRAISE HIS NAME!). Wait, what was this? My missing credit card hiding beneath another! (PRAISE HIS NAME!) 

Eventually, Nick toted me home for an afternoon-cap, and former colleague and super cat Al Wilson showed up. All of this helped to distract from the upcoming game.

Eventually, they left, and Caroline and the Fright Nite crew arrived. It was game time.

I’ll give Paul Newberry of the Associated Press the last word and end with a photo of my son and grandson.

ATLANTA — Eddie Rosario capped a remarkable NL Championship Series with a three-run homer, sending the Atlanta Braves to the World Series for the first time since 1999 with a 4-2 victory over the defending champion Los Angeles Dodgers on Saturday night.

The Braves won the best-of-seven series four games to two, exorcising the demons of last year’s NLCS — when Atlanta squandered 2-0 and 3-1 leads against the Dodgers — and advancing to face the AL champion Astros.

Glory!

[1] I have been doing business with Mr. Evans since Jimmy Carter slept in the White House. I think the Dow was something like 780 when Judy B and I first met Jack at his Robinson Humphrey office. 

[2] When I checked the etymology of layabout on the on-line Etymology Dictionary, I was tempted – but resisted – clicking the ad link to “Toenail Clippers for Seniors.” (I’m not making this up). 

[3] Jenny, a talented maker of jewelry and superb bartender – a different Jenny from my former colleague – has dubbed bachelor party males as “bronadoes” and bachelorette party females as “ho-a-canes.” For whatever reason, Folly Beach has become a mecca for these prenuptial blowouts. 

Jasper Johns, Owen Lee, and I-and-I

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Racing Thoughts by Jasper Johns, 1983

Jasper Johns’ half-sister, Owen Lee, and I were acquaintances, not quite friends, in the very late 70s or very early 80s. We both taught Developmental Studies English[1] at Trident Technical College in North Charleston, South Carolina. Between classes, we’d yuk it up and trade cynical witticisms like a couple of podunk Dorothy Parkers and HL Menckens.  

One night after classes, she invited me to join her at the Garden and Gun, a gay bar that had recently opened to cater to the Spoleto crowd. Weeks earlier, she had dropped her famous semi-sibling’s name, but the sad truth is all I knew of Johns’ work were the targets and flags, and in keeping with my late-twenties ignorance, I was not overly impressed. [2]Anyway, Owen invited me to her place for a nightcap and showed me some original Johns works hanging in her apartment. After the drink, I headed home to Limehouse Street.

Fastforward thirty-five years. The week of my son Harrison’s marriage in DC, the Hirshhorn was staging an exhibition of Johns’ work, so we hopped the Metro to check it out. Now, I was duly impressed. Of course, we saw the iconic flags, targets, and maps, but also large arresting canvases with strings and flatware and shadows, works that I found emotionally moving.

However, it wasn’t until last week until I really came to appreciate Johns more fully after taking in his current exhibition (October 2021 through February 2022) at the Whitney. Thanks to my brand-new hearing aids paired with my iPhone, a website dedicated to the exhibition guided me through eleven gallery rooms. Chief curator Scott Rothkopf and others talked about the paintings and sculptures. John Cage read Jasper’s words excerpted from a documentary. He said early in his career he attempted to create impersonal works but that ultimately “was a losing battle.”[3] Nevertheless, he remains reticent about his art because he believes that the viewer must bring his or her own life experiences into the mix.

The thematic division entitled South Carolina particularly interested me. Johns, like Truman Capote, spent much of his childhood being shuttled off to various aunts and cousins. How disorienting it must be to be passed around without a permanent home. Here’s a painting based on his childhood called Montez Singing.

Montez was Johns’ step grandmother, and the song she sings is entitled “Red Sails.” The web-based tour guide notes the red ship and offers interpretations on the Picasso-like cubist body parts.

Another of my favorites is “Spring” where we encounter Johns’ shadow and the rigid arm that appears in many of his paintings. Also note the child’s shadow, below the adult’s shadow. How remarkable to produce such stunning objective correlatives to your vaporous memories.

The Seasons (Spring) 1987 Jasper Johns born 1930 Presented by the American Fund for the Tate Gallery, courtesy of Judy and Kenneth Dayton 2004 http://www.tate.org.uk/art/work/P12997

Owen Lee ended up moving away after a stint in Edisto.[4]  Around the turn of the century, out of nowhere, I received a message on my voice mail on my landline. She had moved back in Charleston to a downtown apartment and suggested we get together, which never came about. I did see her one last time at our friend Ted Phillips’ funeral. We sat together in a back pew, and because she had walked to the service, I gave her a ride to her apartment when it was over. She poured me a scotch and reminisced about a period when she worked for Jasper and Andy Warhol. This apartment had originals as well, and I worried a bit because Owen repeated stories, lost her way in conversation a couple of times, and explained these lapses by claiming that she had received a blow to the head as a child. 

She was still a lovely person, fascinating to listen to, despite having entered an early stage of dementia. 

Here’s a link to her obituary: Owen Riley Lee.

[1] Known as “remedial English” in a previous, less sensitive era.

[2] I wouldn’t go so far as call myself a philistine. For example, unlike the babysitter in Flannery O’Connor’s “The River,” I wouldn’t say, “I wouldn’t have paid for that,” [the babysitter] said, nodding at the painting, “I would have drew it myself.” 

[3] Actually, it was John Cage reading Johns’ words.

[4] The voice on the guided tour pronounces it ed-DEES-toe

Cute, Cuddly Icons

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As a Jesus-revering lapsed Buddhist, I know I should detach myself from desire and step beyond the swirl of samsara. 

I know, I know. 

But, goddamn it, sometimes my ego’s tempted to unzip its amiable persona so Mr. Hyde/Incredible Hulk can bust out and snatch from the cuddling arms of certain Youth Ministers their teddybearjesuses!  I long to confront, to bellow like a crazed evangelist on a street corner, “Grow up, you [minced oath alert] theologically stunted pathetic puerile protoplasmic pondspawn!”  

How could you not have picked up on this untidy detail: Jesus’s own father allowed him to be nailed alive to boards!

“Ye ha’ seen me heal the lame and blind,
And wake the dead,” says he,
“Ye shall see one thing to master all:
‘Tis how a brave man dies on the tree.”

Ezra Pound, “Ballad of the Goodly Fere”

Given the illustration above [hat tip to Mel Gibson] and the never ending reaches of eternity, why would you presume that the Trinity-That-Is-One desires what is most comfortable for you in this abbreviated vale of tears?  Or that the most comfortable outcome – what you desire – is best for you spiritually.  We’re so blessed [I hear people say] Sally got into Swanee.  We’ve been so blessed [others say] our dishwasher didn’t need replacing after all.  Christianity isn’t about copping fringe benefits for the faithful but about taking an unworldly long perspective on our short stay here and sacrificing our own comfort to make others more comfortable.  

It’s a hell of a lot to ask.

From what I read, blessed are the poor, not comfortable smug upper middle class lower-case christians who love Jesus but hate Biden, who write generous checks to the Good Cheer Club but who want to see unemployment benefits cease.  They’re the crowd of know-nothings huddled around Job.

Blake: Job rebuked by his friends

Hey, Youth Ministers, how about offering your pledges some muscular Christian theology that doesn’t whistle past the Darwinian graveyard but confronts the ever-growing chasm between Christian dogma and science?  

In other words, bring in the Jesuits.

***

If you’re extolling faith over reason, you might as well be peddling snake oil.  

                    Q. What’s one thing that Osama Bin Laden and George W Bush had in common?  

                    A. An unwavering, absolute and certain faith (in two very different deities).  

Based on what?  Mother’s milk, that’s what.

If the raw unfiltered DNA that made up Osama had somehow been born to Barbara and Poppy, would he have fervently believed that there is one god and his name is Allah?  

Or switcher-roo, picture W with in long white robes and a beard hanging to his sternum.  Reared in Saudi Arabia, would he know in his marrow bone that Jesus is Lord? 

Let’s face it: faith is culturally conditioned and therefore unreliable as far as narrow religious affiliations go.  

As my dear erstwhile friend Ed Burrows once told me, if you can’t justify your beliefs through reason, then your beliefs are worthless.  

Amen, Ed. We really should go out for a drink one of these days.

Woo-Hoo/Boo-Hoo

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Dominique Mercy in a performance by Pina Bausch

Happiness is a warm puppy gun.

                                                            Schultz/Lennon

Many Americans, like those who rant against Critical Race Theory, don’t have much patience with malcontents like me who catalogue the various and sundry crimes in our nation’s blood-drenched history ­– the initial genocide, the horrorshow of slavery, our third world murder rates. To even acknowledge these negatives is to “apologize for America” – in the words of Senator Mitt Romney – who beneath those corporate jeans and collared shirts enjoys the freedom to wear magic Mormon “temple garments,” a tribute to the wisdom of our Founding Fathers and the bravery of those heroes who made the supreme sacrifice, etc. And who can argue with the undeniable truth that a country in which a descendent of a Black African (or a bishop in a marginalized religion like Mormonism) can rise to the highest offices of the land is truly exceptional?

temple garments

Our constitution – and this is exceptional – grants us the right to pursue happiness – whether that means spending a Saturday afternoon discharging elephant guns at a shooting range, watching Sergei Eisenstein’s,  Бронено́сец «Потёмкин, or cross dressing and parading down 5th Avenue in celebration of the resurrection of our Lord.

Yet, happiness can be so elusive. Great success certainly doesn’t guarantee felicity as Tiger Woods or Amy Winehouse can/could testify. There is, I think, in the USA a misconception that having a constitutional right to pursue happiness means that you’re entitled to happiness, and as my childhood hero Sportin’ Life put it so eloquently in Porgy and Bess. “It ain’t necessarily so.”

However, in Late Empire America, judging by the posts of my thousand-plus Facebook friends, trumpeting one’s happiness seems to be a borderline obsession.[1] Certainly, there must be battalions of social scientists studying the ratio of positive to negative posts as they attempt to determine the happiness quotient of Facebook subscribers. Certainly, among the unscientific sampling of my friends,[2] I’d say happy dominates a thousand to one.

Of course, the tendency to post positive rather than negative feelings makes sense. When one of my barmates at Chico Feo asks how I’m doing, I virtually never put into words the existential angst that shadows every waking minute of my Beckettian existence.

“Hi, Wes. How’s it going?

“Every word is like an unnecessary stain on silence and nothingness. No, I regret nothing, all I regret is having been born, dying is such a tiring business I always found. And when I die let me go to hell, that’s all I ask, and go on cursing there, and them look down and hear me, that might take some shine off their bliss.”

“Uh, OH-Kay. Have a good one.”

Anyway, nothing much makes sense anymore. The Trump people simultaneously long for authoritarianism while decrying the tyranny of mask mandates while the far left’s free speech intolerance is so extreme that even milquetoasty comedians like Jerry Seinfeld won’t play college campuses. 

Like Kris Kristofferson once put it, “Freedom is just another word for nothing left to lose.  

[1] On the other hand, this isn’t the case on Twitter, which teems with death announcements and the oft repeated phrase, “I’m broken,” following.  Why is Facebook so positive and Twitter so negative?

[2] I.e., “friends, acquaintances, former students, cousins, virtual strangers [including at one time Jerry Lee Lewis himself (thanks, Killer, for the Asian bikini model link)], Lucinda Williams, etc.

Cutting School, Gerald Tires/David Lynch Edition

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Because I suffered from rheumatic fever when I was five or so, and that malady is a nasty by-product of streptococcus, my mother overreacted whenever I had a scratchy throat. Whenever I wanted to get out of going to elementary school, all I had to do is feign a sore throat, and – presto! ­– there I was propped up on pillows reading The Tower Treasure or The Swiss Family Robinson. On those days I didn’t have to trudge single file to the cafeteria for a glop of canned spaghetti and mayonnaise deluged coleslaw. I’d be slurping a bowl of canned chicken noodle soup instead.

In high school whenever you missed school, the office called home to guard against truancy; however, both of my parents worked, there would be no one home to answer the phone, so I never got caught cutting school. Whenever I legitimately missed because of some ailment, my mother’s excuse always read: “Please excuse Rusty for yesterday’s absence as he was sick,” a rather awkward sentence to my ear, but a handy one, because the forged note I’d construct matched all the others, so no suspicions were raised. Anyway, I didn’t cut all that often, a couple times to go surfing at Folly and once to King Street in December with Becky Baldwin, Becky Moore, Gordon Wilson, and maybe Juli Simmons.

Not to put too fine a point on it, but I detested high school, so my ending up spending most life teaching at one is, as they say, somewhat ironic. However, as far as my teaching career goes, my attendance was stellar. I doubt if I missed more than twenty days in thirty-four years (not counting the last week of my wife Judy Birdsong’s life). Even though we got two personal days a year, I only took two in all, one to attend the third game of the 1991 World Series and another to see the Stones in 1996. The horrible truth of the matter is that missing school for a teacher isn’t worth it; it’s its own punishment.[1]

Given Porter-Gaud School’s rotating schedule, one year – it was 2010, in fact –  my classes on Wednesdays ended at 10:30, but we were required to stay on campus for extra help, etc. I didn’t mind because I could get lots of grading done. 

And, of course, if something came up, the administration would allow you to leave, if you informed them of your destination. That’s what happened on Wednesday 8 September 2010 when I had a flat tire. Although I usually patronized Hays Tires, I decided to go to Gerald’s Tires for the sake of frugality.

Based on their television ads, I had never liked Gerald’s. Back in the day when they went by Gerald’s Recaps, one of their ads featured an elderly black woman who said, “And they is very courtesy.”  In 2010, the commercials teemed with strangely gleeful hourly employees who looked as if they might have stepped out of a Soviet propaganda film celebrating the dignity of labor.  “Wheeeeee,” one says in a Mayberry drawl as he rolls a tire, “We’re having fun now.”  The ads closed with a white church steeple pointing heavenward in a sky of pure blue. “It’s a great day at Gerald’s, especially on Sundays.”

With my last class over at 10:30 and nothing facing me but a department chair meeting at 3:15, I thought I’d hit Gerald’s about 1:00, grade a few journals, and return to school. When I arrived at the screeching Clemson orange of the building, there was nowhere to park. All of spaces pictured above were filled with vehicles having their tires tended to. The unshaded bench out front bore three sweating patrons. Not a good sign in that heat. On the street running perpendicular to the building, a battered line of automobiles stretched towards the horizon.   

I parked illegally and entered the building. Inside, every folding chair held a patron, and a line of four patiently stood waiting their turn, an interview with the one representative who, though polite, looked as if his lean frame owed more to methamphetamines than to a rigorous workout regimen.  Hoisted in the corner on a wooden platform, an early model television blared the cynical spin of a [redundancy alert] vacuous Fox newsblonde. 

[sigh]

When I made it to the counter, the fellow (poorly peroxided black-rooted straw spilling from his baseball cap) informed me that it would be an hour-and-a-half.  With nowhere to sit, I decided to hit the pavement.  I told him I was parked illegally.  “Park in the parking lot in the back,” he said.  “Just ignore the Not for Gerald’s signs.”  I did as I was told and brought back the key.

I decided to hoof in the heat the quarter mile to Steinmart’s to pick up a couple of dress shirts.  This trek took me past a thrift shop, a bar, two consignment shops, a hair salon with a hand painted window, a couple of shuffling vagrants, a bank.  Once I hit the acres of the heat-radiating parking lot, I passed a giant pet store that boasted “Unleashed Dogs Always Welcome Inside.”

I wouldn’t have been surprised to look up and see David Lynch shouting through a megaphone in one of those airborne director’s chairs.

scene from David Lynch’s Blue Velvet

Ah, Steinmart’s AC hit me like a champagne-soaked towel.  The contrast between the clientele of my twin shopping experiences was akin to stepping from the boxcars of Steinbeck into the glitzy interiors of Danielle Steele. Here among the racks of brand name (albeit discounted) clothes grazed carefully coiffed matrons and Izod-sporting businessmen.  Although the store wasn’t busy, I did have to stand in line, but unfortunately not long enough; only forty minutes had elapsed by the time I returned to the Bright Orange Building.  

Now, I found myself in Sartre-Full-Nausea mode.[2]  Should I do what I wanted to do (slide into an obscure booth in Gene’s Haufbrau and knock down a couple while I graded journals) or what society/my superego wanted me to do (sit on an uncomfortable folding chair and listen to Fox News’ distortions among the blather of ill-informed fellow citizens?)  Should I suffer Nausea by exhibiting bad faith and cave to society’s petty morality or be true to myself and risk the unlikely occurrence of the Headmaster or Board member discovering me in a seedy tavern during work hours?

Bravo Id! Superego be damned! The chances of the headmaster or a board member slumming it at Gene’s Haufbrau on a Wednesday afternoon were on par with Donald Trump getting a likeness of Noam Chomsky tattooed on his chest.

When I returned to Gerald’s, things had thinned out a bit.  I took a seat next to a rotund woman in her late sixties/early seventies who had poorly dyed thin red hair and clutched her bag as if it held a dozen super Powerball winning lottery tickets. Another woman, a bit younger but with age-inappropriate Bonnie Raitt locks falling in Pentecostal splendor beneath her shoulders, sat down across from us.  

The Fox anchors were all a-twitter because Hillary Clinton had announced our huge deficits made us weaker, as if that were hypocritical, as if she and Obama had single-handedly produced the sea of red they had inherited, as if Fox News hadn’t been screaming for the war with Iraq and the draconian tax cuts that had created the deficit in the first place.  As luck would have it, the anchors broke away to cover Obama in Ohio delivering a speech on the economy.  

“I don’t see where he’s done anything but increase our debt,” the rotund redhead said to the woman across from us.

As I held my tongue, dutifully circling misplaced modifiers and ticking active verbs, the redhead suddenly said, “I lost my youngest one last week.”

“Your youngest what?” the other said.

“My youngest child. My baby.”

“Oh, I’m terribly sorry,” the other said, but looking more curious than sad. “What happened?”

“She called me up and said she had an earache, and in an hour, she was gone.”

“Oh, my goodness.  I’m so sorry.  How old was she?”

“Thirty-eight.”

“Do they know what it was?”

“The results from the autopsy ain’t come back yet.”

A smiling mechanic opened the door.  “Mrs. So-and-So, your car’s ready.”

The woman with the long hair stood up and leaned over to the red-headed one.

“What you say your name was?”

“Ferguson.”

“I’ll say a prayer for you tonight.”

(Yep, make sure to get the name right, I thought.  God’s got a lot on his plate nowadays).

I looked over my shoulder to see my car parked out front. After ten more minutes, it was still there, so I went out to discover that my tire had been repaired.  Going back in, I informed the cadaverous young man behind the counter.

“I’ll go get the paperwork,” he said.

In a few minutes, another smiling mechanic came in dangling my keys.  “Mr. Moore, here you go.  Have a nice day.”

“But I haven’t paid,” I said.

“It’s nothing,” he said, “Only a tire repair.  Have a nice day.”

So, I drove back to school, hit the Department Chair meeting and have not the slightest inkling of what transpired there, don’t recall at all. 

It’s the weirdness you remember, not the mundane, the days you cut, not the days you attend.

[1] “Nausea” is what Sartre termed that way too common situation when you forego whatever you really want to do. 

[1] Dig that: three its in a row – pure poetry.

Ode to Oblivion

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DNA by Iwasaki Tsuneo

Ode to Oblivion

“Form is emptiness, emptiness form”
The Heart Sutra

The sum of nothing, 

            vacuity cubed,

silence so profound,

            saints and sages

stuff their ears 

            with cotton.