As Others See Us

O wad some Power the giftie gie us
To see oursels as ithers see us! – Robert Burns “To a Louse”

In January and February of 2000, David Foster Wallace, hailed by AO Scott as the best mind of his generation, rode along with John McCain and Company on the Straight Talk Express as he campaigned in South Carolina for the 2000 Republican nomination.  In his essay “Up Simba,” DFW offers his analysis of the campaign and occasional descriptions of our countryside, architecture, and denizens.  Here’s a description of a trip down I-26 from Spartanburg to Charleston:

Coming back up the Bullshit 1’s starboard side, no laptops are in play and no windowshades pulled, and the cleanest set of windows is just past the fridge, and outside surely the sun is someplace up there but the February vista still seems lightless. The central-SC countryside looks blasted, lynched, the skies the color of low-grade steel, the land all dead sod and broomsedge, with scrub oak and pine leaning at angles, and you can almost hear the mosquitoes breathing in their baggy eggs awaiting spring. Winter down here is damp, both chilly and muggy, and Jay alternates the heater with the AC as various different people bitch about being hot or cold. Scraggly cabbage palms start mixing with the pine as you get farther south, and the mix of conifer and palm is dissonant in a bad-dream sort of way. A certain percentage of the passing trees are dead and hung with kudzu and a particular kind of Spanish moss that resembles a kind of drier-lint from hell, but in a very nice way. Eighteen-wheelers and weird tall pickups are the buses’ only company, and the pickups are rusted and all have gunracks and frightening bumper stickers; some of them toot their horns in support. BSl’s windows are high enough that you can see right into the big rigs’ cabs. The highway itself is colorless and the sides of it look chewed on, and there’s litter, and the median strip is dead grass with a whole lot of different tiretracks and skidmarks striping the sod for dozens of miles, as if from the mother of all multivehicle pileups sometime in I-26’s past. Everything looks dead and not happy about it. Birds fly in circles with no place to go. There are also some weird smooth-barked luminous trees that might be pecan; no one seems to know. The techs keep their shades pulled even though they have no laptops. You can tell it’s spooky down here in the summer, all moss and steam and dogs with visible ribs and everybody sweating through their hat. None of the media ever look out the window. Everyone’s used to being in motion all the time. Location is mentioned only on phones: the journalists and producers are always on their cellphones trying to reach somebody else’s cellphone and saying “South Carolina—where are you.” The other constant in most cell-calls on a moving bus is “I’m losing you, can you hear me, should I call back.” A distinctive thing about the field producers is that they all pull their cellphones’ antennae all the way out with their teeth; journalists use their fingers, or else they have headset phones, which they talk on while they type.

If you think that was a bit negative, here’s a peek at the Lobby of the Carolina Ice Palace from his perspective:

Express hauled out this morning at 0738h., and now here McCain is at 0822 almost running back and forth on the raised stage in a Carolina Ice Palace lobby so off-the-charts hideous that the press all pass up the free pastry. (The lobby’s lined with red and blue rubber—yes, rubber—and 20 feet up a green iron spiral staircase is an open mezzanine with fencing of mustard-colored pipe from which hang long purple banners for the Lowcountry Youth Hockey Association, and you can hear the rink’s organ someplace inside and a symphony of twitters and boings from an enormous video arcade just down the bright-orange hall, and on either side of the THM stage are huge monitors composed of nine identical screens arrayed 3 x 3, and the monitor on the left has nine identical McCain faces talking but the one on the right has just one big McCain face cut into nine separate squares, and every ft2of the nauseous lobby is occupied by wildly supportive South Carolinians, and it’s 95º at least, and the whole thing is so sensuously assaultive that all the media except Jim C. and the techs turn around and listen facing away, most drinking more than one cup of coffee at once).

These descriptions brought to mind Robert Burns poem “To a Louse” :

Ha! whaur ye gaun, ye crowlin ferlie?
Your impudence protects you sairly;
I canna say but ye strunt rarely,
Owre gauze and lace;
Tho’, faith! I fear ye dine but sparely
On sic a place.

Ye ugly, creepin, blastit wonner,
Detested, shunn’d by saunt an’ sinner,
How daur ye set your fit upon her-
Sae fine a lady?
Gae somewhere else and seek your dinner
On some poor body.

Swith! in some beggar’s haffet squattle;
There ye may creep, and sprawl, and sprattle,
Wi’ ither kindred, jumping cattle,
In shoals and nations;
Whaur horn nor bane ne’er daur unsettle
Your thick plantations.

Now haud you there, ye’re out o’ sight,
Below the fatt’rels, snug and tight;
Na, faith ye yet! ye’ll no be right,
Till ye’ve got on it-
The verra tapmost, tow’rin height
O’ Miss’ bonnet.

My sooth! right bauld ye set your nose out,
As plump an’ grey as ony groset:
O for some rank, mercurial rozet,
Or fell, red smeddum,
I’d gie you sic a hearty dose o’t,
Wad dress your droddum.

I wad na been surpris’d to spy
You on an auld wife’s flainen toy;
Or aiblins some bit dubbie boy,
On’s wyliecoat;
But Miss’ fine Lunardi! fye!
How daur ye do’t?

O Jeany, dinna toss your head,
An’ set your beauties a’ abread!
Ye little ken what cursed speed
The blastie’s makin:
Thae winks an’ finger-ends, I dread,
Are notice takin.

O wad some Power the giftie gie us
To see oursels as ithers see us!
It wad frae mony a blunder free us,
An’ foolish notion:
What airs in dress an’ gait wad lea’e us,
An’ ev’n devotion!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s