Screech Me a Poem, Sugar Britches

yeats and maude

Yeats and Maude Gonne by Anne Marie O’Driscoll

Half close your eyelids, loosen your hair,

And dream about the great and their pride;

They have spoken against you everywhere,

But weigh this song with the great and their pride;

I made it out of a mouthful of air,

Their children’s children shall say they have lied.

                 WB Yeats “He Thinks of Those Who Have Spoken Evil of His Beloved”

A by-product of breathing, that mouthful of air, exhalation tracking up through the trachea,  plucking the vocal c[h]ords: vowels, consonants, syllables, words, words, words.  Say outloud the title of this post  – “screech me a poem, sugar britches.”  Dissonant, sharp, as unlovely as the scraping of a rake on gravel, echoing  Juliet’s lament as Romeo vacates their marriage bed:

It is the lark that sings so out of tune,
Straining harsh discords and unpleasing sharps.

romeo-and-juliet-todd-peterson

Romeo and Juliet by Todd Peterson

Perhaps even more discordant is Gerard Manly Hopkins postlapsarian description of industrialization:

And all is seared with trade; bleared, smeared with toil;

And wears man’s smudge and shares man’s smell: the soil

Is bare now, nor can foot feel, being shod.

train-tracks-by-valerio-dospina

Train Tracks by Valerio D’Ospina

Who sez that poetry’s supposed to sound pretty?

Not Alexander Pope:

But when loud surges lash the sounding shore,

The hoarse, rough verse should like the torrent roar.

Nor that barbaric yawper Walt Whitman:

Nor him in the poor house tubercled by rum and the bad disorder.

Nor Ol’ Ez in St. Elizabeth’s Mental Hospital ranting his way to a Bolligen Prize:

the drift of lice, teething,

and above it the mouthing of orators,

    the arse-belching of preachers.

pound

Ezra Pound

Thanks to its Anglo-Saxon roots, English is well-suited to screech.  However, thanks to its French invaders, our language can also coo.  And don’t forget the ess-cee (sc) words of the Vikings with their skalds singing of skulls and skies and dragons’ scales.

English-speaking poets possess quite a synthesizer through which to sample sounds, orchestrating Anglo-Saxon, Norse, and French symphonically (Milton) or piping a simple Saxon tune in tetrameter (Anonymous).

Given global warmification/climatic alternation, the following worry may seem as trivial as the date of Alfred Tennyson’s death, but I wonder, given our beeping visual small screen secondhand exposure to actual sights and sounds, if off-the-cuff eloquence might become as rare as first edition Kafkas.

In my youth, among my compatriots, having a way with words held sway.  I think of Jake the Snake Williams politely stringing together sonorous sentences to a Jehovah’s Witness in Richland Mall explaining why he wouldn’t take the tract, and the fellow smiling, nodding his head, and saying, “Brother, you got you an excellent rap.”  Or Furman Langley lamenting in a Lowcountry gumbo of gullah-echo the legend of the Boo Hag.

0d79b4efb49e4854947f5e00ba3413ee

The “like-like” syncopatations of youthful inarticulation and the ubiquitous interrogative lilt of their declarative sentences gives me pause?

I guess it all boils down to a matter of culture.

Bewildered, bewildering primate.  Absinthe.  Circumcision.  Couplets.

Grudges., beliefs.  The war of my childhood, Europe tearing at itself.

 

Scarification.  Conceptual art.  Classic celebrated scholarly papers

On the Trobriand Islanders, more fiction or poetry than science.

 

Absorbed or transmitted always invisibly in the air

From a digital Cloud.  Visible and invisible in the funny papers . . .

                                                       from “Culture by Robert Pinsky

Cliffs of Fall, Frightful

Not surprisingly, Robin Williams’ death has ignited a war of words between those who believe that suicide is a selfish act of cowardice and those who believe that it is a regrettable symptom of mental illness — that the suicide is in essence innocent of his own murder by reason of insanity.

Among the former is Shepard Smith who observed on Fox News:

You could love three little things [Williams’ children] so much, watch them grow, they’re in their mid-20s, and they’re inspiring you, and exciting you, and they fill you up with the kind of joy you could never have known.’

‘And yet, something inside you is so horrible or you’re such a coward or whatever the reason that you decide that you have to end it. Robin Williams, at 63, did that today.’

What do you have to say to that, Gerard Manley Hopkins?

O the mind, mind has mountains; cliffs of fall

Frightful, sheer, no-man-fathomed. Hold them cheap

May who ne’er hung there. Nor does long our small

Durance deal with that steep or deep. Here! creep,

Wretch, under a comfort serves in a whirlwind: all

Life death does end and each day dies with sleep.

"The Dark Mountains" by James Craig Annan (1864 - 1946)

“The Dark Mountains” by James Craig Annan (1864 – 1946)

Obviously, Shep Smith “ne’er hung there,” and though Matt Walsh, self-professed “professional sayer of truths” claims to have “struggled with [depression] his entire life,” he’s obviously “ne’er hung there” either:

So I’m just like you, then, because I can’t stomach the thought of [suicide]. I’ve seen it in the neighborhoods where I’ve lived and the schools that I’ve attended. I’ve seen it in my family. I’ve known adults and kids who’ve done it. I’ve seen it on the news and read about it in books, but I can’t comprehend it. The complete, total, absolute rejection of life. The final refusal to see the worth in anything, or the beauty, or the reason, or the point, or the hope. The willingness to saddle your family with the pain and misery and anger that will now plague them for the rest of their lives.

It’s a tragic choice, truly, but it is a choice, and we have to remember that. Your suicide doesn’t happen to you; it doesn’t attack you like cancer or descend upon you like a tornado. It is a decision made by an individual. A bad decision. Always a bad decision.

Hmmmmm.

Of cuff I button at my wrist. The presser, the cutter,

The wringer, the mangle. The needle, the union,

The treadle, the bobbin. The code. The infamous blaze

 

At the Triangle Factory in nineteen-eleven.

One hundred and forty-six died in the flames

On the ninth floor, no hydrants, no fire escapes—

 

The witness in a building across the street

Who watched how a young man helped a girl to step

Up to the windowsill, then held her out

 

Away from the masonry wall and let her drop.

And then another. As if he were helping them up

To enter a streetcar, and not eternity.

 

A third before he dropped her put her arms

Around his neck and kissed him. Then he held

Her into space, and dropped her. Almost at once

 

He stepped to the sill himself, his jacket flared

And fluttered up from his shirt as he came down,

Air filling up the legs of his gray trousers—

 

Triangle Factory Fire

Triangle Factory Fire

Obviously, depression is an existential, individual disease that manifests itself in different individuals in different degrees. I’m assuming that Mr. Walsh hasn’t suffered Gerard-Manley-Hopkins or David-Foster-Wallace-grade depression, endured those hideous nightmares that plague the sufferer, who pulls down the comforter to discover the rotting corpse of his mother, nightmares that slaughter sleep, which further exhausts the sufferer, who now shuffles blank eyed through a bleak day where nothing – no thing – will bring him joy nor alleviate his excruciating pain.

Yes, suicide is a horrible act, an act that plagues family and friends with sorrow and perhaps guilt; however, if someone’s psyche is a Triangle Factory on fire, I can understand and forgive his or her leaping.