My TS Eliot Spring Break

illustration by Wesley Moore

illustration by Wesley Moore

Twit twit twit
Jug jug jug jug jug jug
So rudely forc’d.
Tereu

TS Eliot, “The Waste Land”

Although Yeats gets quoted a lot in these traumatic days – things fall apart, the center cannot hold, etc. – TS Eliot was no slouch himself when it came to apocalyptic naysaying. For example, dig this ditty from “The Waste Land”:

What is that sound high in the air
Murmur of maternal lamentation
Who are those hooded hordes swarming
Over endless plains, stumbling in cracked earth
Ringed by the flat horizon only
What is the city over the mountains
Cracks and reforms and bursts in the violet air
Falling towers
Jerusalem Athens Alexandria
Vienna London
Unreal

Because most of us Americans are consumed with the 24/7 Jerry Springer extravaganza that is the current presidential campaign, I doubt if your casual consumer of the news is aware that Europe’s political turmoil makes ours seem rather bland by comparison.

For example, on New Years Eve in Cologne, Germany, gangs of young males assaulted scores of females celebrating the holiday. Some blame newly arrived Muslim immigrants for the outrages while others suggest caution before jumping to conclusions.

Here’s a snippet from the conservative British paper the Spectator:

The German police made a similar point: they are used to handling drunks. But gangs of young men encircling and then groping women at large public gatherings: who has ever heard of such a thing?

In the Arab world, it’s something of a phenomenon. It has a name: ‘Taharrush gamea’. Sometimes the girls are teased and have their veils torn off by gangs of young men; sometimes it escalates into rape. Five years ago, this form of attack was the subject of an award-winning Egyptian film, 678. Instances of young men surrounding and attacking girls were reported throughout the Arab Spring protests in Cairo in 2011 and 2012. Lara Logan, a CNN journalist covering the fall of Hosni Mubarak, was raped in Tahrir Square. Taharrush gamea is a modern evil, and it’s being imported into Europe. Our authorities ought to be aware of it

On the other hand, here is Ishaan Tharoor from the Washington Post:

To be sure, there are legitimate security concerns posed both by the surge in new arrivals as well as the continuing instability and conflicts in the Middle East. The attacks in Cologne, writes the Algerian novelist Kamel Daoud, were a reminder to the West of the Muslim world’s “sick relationship with women” — a product both of patriarchal and religious norms as well as the stifling legacy of authoritarian rule.

But perverse, misogynist behavior is not the province of just one culture or society. And much of Europe’s anti-refugee hysteria, as my colleague Adam Taylor charted this week, has been overblown and fueled by often misleading innuendo and rumor circulating on social media.

Very few of the identified culprits in the Cologne attacks were themselves refugees. And countries like Poland and Hungary, while leading the conservative charge against E.U. policies that would allow in desperate Middle Eastern asylum seekers, still have minuscule Muslim populations of their own. The risk of a cultural invasion somehow contaminating their societies is, frankly, a phantasm conjured by fear-mongers.

Of course, this week, we Americans were treated to some man-on-woman physicality when police charged Donald Trump’s campaign manager Corey Lewandowski with battery after an encounter with “former Breitbart reporter Michelle Fields.”

In this case, we have video, so you can make up your mind yourself.*


*My personal view is that by the standards of Summerville High School that encounter doesn’t approach “battery.”

The bottom line is that the big blinding, buzzing cacophony of computerized existence obliterates contemplation. The blitzkrieg of information, much of it contradictory, is harmful for a species who has spent most of its existence sitting in small groups on a savannah among birdsong and rustling leaves.

The ruling class – the Koch Bros, etc. – should know that oligarchies lead to revolutions, that the Occupy Movement was a Shakespearian comet of foreboding, but who has time to contemplate history or to think beyond tomorrow’s Dow Jones closing averages?

Then there’s Hillary trying to thread the needle between big business and young debt-ridden would-be socialists as she attempts to be all things to all people.

Meanwhile, followers of Bernard Sanders engage in magical thinking imaging 30+ redneck gerrymandered districts somehow going blue so that he’ll be able to break up the banks, overhaul our healthcare system, make college free while by creating the largest middle class tax hike in the history of our republic.

What we see here in the Republican Party – factionalism – is also playing out in Europe. Things are falling apart – perhaps most alarmingly, glaciers!

Oh, by the way, it’s my spring break, and we all know that April is the cruelest month, so I’ve been having a sort of TS Eliot holiday, riding around with the radio/cd player off, popping Ativans like M&Ms, reciting poetry out loud to myself:

After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What’s not believed in, or is still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what’s thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.

As the Lone Ranger used to say, “Adios!”

 

Good Friday

Today’s the day they nail him to a cross.

I wonder if arriving at Golgotha was actually a relief after being run through the stony streets barefooted and bearing a heavy, rough-hewn cross. Those streets lined with howling citizens mocking, spitting, guffawing.

Jheronimus_Bosch_or_follower_001

Despite the excruciating pain, as the cross was raised to its upright position, at least he could suffer in solitude as he looked out over the waste of the world.

Jesus-Crucifixion

For a few years my mother forced us to attend a Good Friday vigil at St. Paul’s Episcopal Church in Summerville, SC. At the vigil the seven last words on the cross were spoken over a period of time, maybe three hours. We didn’t stay for the entire service, but dropped in for an hour or so and then left.

I recall in 1969 on Good Friday standing beneath a tree in our front yard in a coat and tie listening on a transistor radio to Jose Feliciano’s cover of “Light My Fire” hoping against hope that Mama would relent, but to no avail.

No time to wallow in the mire.

If I remember correctly (and it’s been over half a century), the ritual consisted of kneeling in silence in a darkened black-draped sanctuary – everything was black; even the cross was sheathed in black crepe. Occasionally, a bell would ring, and Father Skardon would say one of the seven last words, which were, strictly speaking, phrases like “I thirst” and “My God, my God, why have thou forsaken me?”

For me, it was impossible to think of anything but Jesus’s suffering. Of course, I wanted to leave, but there was something aesthetically powerful about the ritual that transcended the mundane. In other words, I was alive in there.

Eventually, Mama would look over and nod, and we would get up, reposition the kneeling bench, bow to the cross, and head out the door. Exiting through those doors from that darkened sanctuary into the bright sunshine of springtime was not unlike you were exiting a tomb yourself — happy, happy — not realizing that down the road somewhere that sorrow, grief, and suffering would be your lot as well.

ST Paul's Episcopal Church, Summerville, SC

ST Paul’s Episcopal Church, Summerville, SC

What Celebrity Endorsements Can Tell Us

After Donald Trump’s announcement to seek the presidency, virtually all pundits pooh-poohed his high poll numbers as an early election-cycle aberration. After all, early on in 2012, Michelle Bachmann and Herbert Cain had been flying high. Nevertheless, now with 20-plus contests behind us, it appears that the Donald has won the hearts and minds spleens of somewhere between 30% and 40% of Republican primary and caucus voters. Even though these numbers are higher than his opponents’, they still fall short of a majority. The question arises, what might it take to push Trump above the 50% level? Could celebrity endorsements help?

Obviously, critically acclaimed celebrities often cast their lot with liberal Democrats, so it’s no surprise that Trump isn’t garnering as many high-end celebrity endorsements as Bernie (Susan Sarandon, Will Farrell, Danny DeVito) or Hillary (Beyonce, Lena Dunham, Robert de Niro). Nevertheless, several celebrities have endorsed Donald, and a quick glance at a few of them might tell us something about Trump’s appeal.

2014-12-11-HulkLet’s start with Hulk Hogan. Born Terry Eugene Bollea, son of Pietro Bollea, Hogan has, according to Wikipedia, Italian, French, and Panamanian heritage. Although most famous for his career as a professional wrestler, Hogan started off as a bassist, another profession that can feature head-banging.

Donald Trump supporter Kid Rock, a native of Detroit, is such an important artist that Wikipedia divides his career in eras – the hip-hop era, the rap rock era, the Southern rock revivalist era, and the Heartland rock era. Actually, Kid Rock originally endorsed Dr. Ben Carson but has subsequently gone over to Trump. One thing that Kid Rock and Trump share is antipathy towards Megyn Kelly. After the Charleston Massacre when Al Sharpton’s NAN Chapter threatened to boycott Rock’s shows, which prominently display Confederate flags, Rock emailed Megyn Kelly at Fox News with this Trumpian response: “Please tell the people that (sic) are protesting me, that they can kiss my ass.”

Mike Tyson needs no introduction. The former heavyweight champion says he supports Trump because he wants “to try something new.” By the way, there have been no reports of ear biting at any Trump rallies.

busey-460_1014998aAnd, let’s put this post to a merciful end by naming one last Trump celebrity endorser, Gary Busey, the movie actor and star of Celebrity Rehab. Busey, famously, fractured his skull in a motorcycle wreck in 1988. Dr. Charles Sophy, a psychiatrist on the show, conjectured that “Busey’s brain injury had a greater effect” on him than he originally realized.   According to Wikipedia, Sophy recommended “Busey take valproic acid (Depakote), with which Busey agreed.”

So there you have it. Three out of these Trump celebrity endorsers have suffered brain trauma. Kid Rock doesn’t appear to have suffered any head injuries, even though someone named Jason McNeil got sucker punched at one of his shows and is suing the promoter for $150 million because he’s suffering from “a severe brain injury.”

Perhaps beating up protesters at these rallies has an ulterior motive?

 

 

An Apocalypse Now, Blue Velvet, Pulp Fiction Type of Guy

5+ Iconic Movies this so called cultural anthropologist has never seen:

Star Wars – When I saw the trailers in the mid-70’s, I knew I’d be bored stiff. The only sci-fi I ever watched was the old Buster Crabbe serials on TV when I was a kid and only because I was breastfed.

Dale Arden was hot, Princess Leia not so much.

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Plus, I hated the robot on Lost in Space, never took to Hal, ain’t got the hots for Siri, so I suspect Artoo Detoo  ain’t gonna elicit any chuckles. In fact, the most disappointing film I’ve ever seen, given expectations, is Close Encounters of the Third Kind.

ET – see above.

(By the way, special effects never fail to Hindenburg my suspension of disbelief)

 

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Love Story, The Brian Piccolo Story.

(I did, though, make it all the way through the Garbo/Gable Camille)

camilledying_zps533c2858

Frankly, I prefer the more abstract unhappiness I get by reading the life stories of young, attractive people whose pictures appear on obituary pages.

Forest Gump – This nation is stupid enough (cf. Trump’s political success). We don’t need to be glamorizing the virtues of low IQs.

The Titanic – No way it could be better than the Thomas Hardy poem “The Convergence of the Twain” By the way, I did go see but hated Avatar. You can read the review here.

No Pixar film ever. What can I say? I’m allergic to wholesomeness.

 Nope, I reckon I’m just an Apocalypse Now, Blue Velvet, Pulp Fiction type of guy.

Trigger Warning:  Smack shooting, needles, i.e., drug use.

Yeats’ s Second Coming, the 2016 Election Edition

 

Turning and turning in the never-ending news cycle

The primary voter cannot hear the RNC;

Coalitions fall apart; the centre cannot hold;

Donald Trump is loosed upon the world.

The slime-dimmed tide is loosed, and everywhere

The ceremony of commonsense is drowned;

The best lack all conviction, while the worst

Are full of passionate intensity.

 

Surely some revolution is at hand;

Surely another revolution is at hand.

Another revolution! Hardly are those words out

When a vaunting image out of black-and-white newsreels

Troubles my sight: raised hands at rallies where

A shape with a man’s body and the hair of a troll,

A face with stunted gaze and a sphincter-like mouth,

Spews feces of hate while all about him

Swarm legions of lemming-like whites,

Shouting curses and slugging protesters!

It looks as if a half-century of stony sleep has been

vexed into nightmare by yet another authoritarian,

who now that his hour has come round again

slouches towards Washington to be sworn.

donald sphinx

Confessions of a Future Opium Eater

opium addict wesIt’s been my experience that the more eventful a period, the longer that span seems to last. Take college, for example. The four years from my days as a freshman to those of my senior year seem like decades, the Stones’ “Brown Sugar” and David Bowie’s “Young Americans” separated, not by 48 mere months, but by twenty years or so.

Dorm rooms, dives, suitemates, hook-ups, break-ups, friends, foes, professors, TAs, incense, cafeteria trays, campus bars, road trips, acid flips, pick-up basketball, lecture halls, black beauties, kegs, bathroom graffiti, the clicking of typewriter keys . . .

College memories crowd the file cabinets of my mind in such profusion that it seems as if those experiences couldn’t have transpired in so short a span.

And the same goes for this goddamned interminable presidential campaign. The 24/7 news cycle frenetically spins stories like those jugglers of yore on the Ed Sullivan Show spinning plates — each story delivered with the gravitas of an announcement that a Kennedy has died.

Did the first Republican debate actually occur on 7 August 2016, or was it during the Peloponnesian War? Were hula-hoops all the rage back when Carson was a serious contender? Crazy college kids swallowing goldfish and cramming themselves into phone booths when Florina was the darling of the under-debates?

No, believe it or not, that was just a couple of months ago, not in the 1950’s.

For example, take the rise and fall and rise and fall of Marc Rubio: rat-a-tat-tat, he ascends above Jeb! (remember him?), racks up endorsements like young Tiger Woods collecting championship trophies, goes robotic before the New Hampshire Primary, has his campaign pronounced as dead as Houdini, then the next week struts across a stage arm-and-arm with Nikki Haley, goes after Trump with both pea shooters popping only to get mugged by the irony-mongers on Twitter for being a vulgarian, and now he’s reduced to addressing a stadium “crowd” that could fit comfortably in a high school gymnasium.

With all of this quick cutting, we lose all perspective. Each spinning plate becomes a monumental game changer. Bernie ties Hillary in Iowa. She’s in real trouble.  Now he’s obliterated her in New Hampshire. Whoa, wait a minute. Hillary wins Nevada, trounces him in South Carolina! She’s racking up delegates galore! It’s all but over. Hold on! He upsets her in Michigan!  Now she’s in real. real, trouble (until next week when she wins Florida and Illinois).

So I have decided to pack my bags and head to the nearest opium den (Laos?) and spend the next eight months in a stately pleasure dome. Maybe do some kayaking on the sacred river Alph.

Wake me up and get me into rehab when it’s over.

Coleridge2_102211

 

Open-Eyed, Laughing: In Memory of Pat Conroy

patAlthough I didn’t know Pat Conroy well at all – maybe five close encounters (including one at our house on Folly Beach) – I was, however, privy to his condition during his last days because while Pat received treatment at MUSC, I met his daughters Megan and Jessica Sunday night for a drink downtown, and they ended up staying with us Monday night at the beach before heading back to Beaufort on Tuesday where Pat passed away.

Even though I only hung with Pat a view times, I could detect the hurt beneath his quick smile and alert eyes. Like many who have suffered bleak childhoods, he viewed life through the blackest of shades and attempted to illuminate that darkness through flashes of sardonic humor. If he hadn’t been a novelist, he could have made a fortune doing stand-up. I certainly hope somebody somewhere has recorded his story about not taking Barbra Streisand’s calls because he thought she was his pal Bernie playing a practical joke.

Pat remembered and cared about you. A year and a half ago when we were visiting Megan at his house at Fripp, Pat told me that I had a good life, that teaching English was a good life. A couple of weeks ago at his house in Beaufort, the first time I’d seen him since, he again asked me about my teaching, if I had retired. He insisted on getting up as Judy and I were leaving.

He knew he was a goner but was stoic and flashed that quick smile throughout our conversation. Monday night, Megan told me that he had said good-bye to her and her sisters at ICU, and as they were leaving in tears, he added, “Damn, I’m going to be so embarrassed if I don’t die tonight.”

Bingo.

Yeats wrote in his poem “Vacillation” that he tested “everything his [own] hands [had] wrought” according to whether or not it was “suited for such men as come/ Proud, open-eyed, and laughing to the tomb.”

Pat Conroy was such a man.

May he rest in peace and the family he has left behind thrive.

My-My-My Generation

Poobah Savoring by Toni-Lee Sangastiano

Poobah Savoring by Toni-Lee Sangastiano

In this piece from 15 March 2013, I mock my generation for its greed and the younger generation for its political passivity.  Perhaps I was wrong.

I’ve never really been a fan of my generation, not even back in the so-called day. The turbulence of those times makes us seem somewhat interesting in retrospect because people tend to remember Abby Hoffman instead of Debby Boone. And sure, some of us were cool and contentious, took unpopular stands, let our freak flags fly, etc., but then, again, lots of hippies were assholes, self-righteously slinging blood on Viet Nam vets while ripping one another off in petty drug deals while mooching off parents.

Sing it, Mr. Lennon:

Keep you doped with religion and sex and TV
And you think you’re so clever and classless and free
But you’re still fucking peasants as far as I can see

John Lennon, “Working Class Hero”

Also, the so-called Silent Majority tended not to be all that silent, chanting “Nixon’s the One” or singing along to “Joy to World” while vociferously supporting bombing Cambodian villages. Not to mention South Carolina’s Early Seventies bumper crop of rednecks, never a taciturn group. Oh yeah, and the angry vibe of surly brothers on sidewalks sharing with you and your beloved what they’d love to do with her.

Hey, but back then, I, too, was an angry young man, a walking middle finger, a narcissistic nincomshit, not the serene old fellow you know and love, the human equivalent of an extended teacup pinky, the selfless sage, the kindly gentle man who shares his wisdom here free of charge.

then

then

now

now

 

 

 

 

 

 

 

 

To wit, with no legacy of saving the world for democracy to our credit, we baby boomers will increasingly seem like an encumbrance to younger workers slaving away to pay off college loans while we direct deposit our Social Security checks and enjoy the peace of mind of Medicare. There are many more of us than there are of them, so we can out-vote them; however, who wants to spend his final years as a detested vampire sucking the life blood of the economy at the expense of his grandchildren?

The word entitlement comes to mind.

Any rational person should realize that Democrats and Republicans need to compromise, that revenues have to rise, probably in a more robust manner than merely closing tax loopholes for the super rich, but even that commonsensical, relatively painless option is in the current Congress a no-go.

Furthermore, Social Security and Medicare must be reformed, and that means need-testing and curbing benefits, raising the retirement age – you know, slaughtering a sacred Democratic cow or two.

Obama has signaled he’s willing to do so, but he’s so detested and mistrusted by the Right that the two parties coming together to enact meaningful legislation seems about as likely as Menachem Begin’s and Yasser Arafat’s great grandchildren falling in love, marrying, and serving pork barbecue at their wedding reception.

World temperatures plummet as hell freezes over

World temperatures plummet as hell freezes over

So what you gonna do, younger generation, sit back, tabulate your likes on Facebook while your standard of living erodes like the sands of Folly Beach? Maybe you could take a page out of Jonathan Swift and cook up some plan to cannibalize grandma. Or how about starting your own revolution?

Naw, that’ll never happen. Click away, O my brothers and sisters, click away.

chicks

 

In the Wind Somewhere

photo red: Hamlet Cloud website

photo red: Hamlet Cloud website

The phrase “ashes to ashes, dust to dust” is a not so subtle suggestion that human beings don’t ultimately amount to much as far as corporeal matters go.

Just ask Hamlet. Here he is next to Ophelia’s freshly dug grave ruminating on what base uses we may return:

Alexander[1] died, Alexander was buried,

Alexander returneth into dust; the dust is earth; of

earth we make loam; and why of that loam, whereto he

was converted, might they not stop a beer-barrel?

Imperious Caesar, dead and turn’d to clay,

Might stop a hole to keep the wind away:

O, that that earth, which kept the world in awe,

Should patch a wall to expel the winter flaw!

Yesterday, we disposed of Aunt Virginia’s cremains,[2] which, and I’m not making this up, smelled like cigarettes. My brother Fleming kept them in his car, and as soon as he opened the door, I could smell that distinctive Virginia smell.

Nothing dealing with Virginia was ever easy. We had planned to scatter the ashes in the Folly River via kayak from our dock, but when Fleming arrived, it was dead low tide, so we decided to try the dock at the Folly River Park instead, hoping on such a chilly day that at 5 o’clock it might be deserted.

The park is across from a Catholic church, which was celebrating mass, so parking was a problem. Nor was the dock deserted. Three young men, National Guardsmen as it turned out, were fishing. It occurred to me that dumping human remains in water where people were fishing would be a gross violation of the Golden Rule, but as luck would have it, they started packing up their gear to leave. As I glanced down the long dock, another man was approaching in the far distance with his dog.

“Look, fellows,” I said. “I want to give you a head’s up. We’re getting ready to scatter my aunt’s ashes, that is, if y’all don’t object.”

“Not at all,” the tallest one said. “Sorry about your loss.”

So Fleming opened the velvet bag, brother David cut open the plastic bag inside, and Fleming poured the contents over the rail and into the water. I had never seen human ashes before, and I was quite shocked how beautiful they were as they drifted down into the water, creating a cloud as they dispersed, as if matter cannot really be created nor destroyed, as if Virginia were getting a second chance via recycling.

As we made our way down the dock to Fleming’s car, as if on cue, the church bells began to chime as mass let out, a beautiful sound, and I thought of this poem by Richard Eberhart:

For a Lamb

I saw on the slant hill a putrid lamb

Propped with daisies. The sleep looked deep

The face nudged in the green pillow

But the guts were out for crows to eat.

 

Where’s the lamb? whose tender plaint

Said all for the mute breezes.

Say he’s in the wind somewhere,

Say, there’s a lamb in the daisies.

ashes to ashes


 

[1] I.e., Alexander the Great

[2] A word I learned from the presiding priest at her funeral.

Poor Dead Aunt Virginia, Missing Fingers, Kendrick Lamar’s Hero Journey, and I-and-I

Backdrop

Sunday, I had the melancholy chore of driving from Folly Beach to Summerville to sign papers granting unsmiling folks at a funeral home permission to cremate my Aunt Virginia’s remains. It had been a strange weekend. Friday night, at the Jack of Cups Saloon, I ran into a woman just back from the emergency room after her husband had sacrificed his thumb and portions of two fingers to a buzz saw.

Jack of Cups 19 Feb 2016

Jack of Cups 19 Feb 2016

He was now home zonked out on painkillers, and she was downright giddy, maybe slightly hysterical, as she showed me images of his mangled hand on her phone. Under the influence of high gravity beer, I had found the spectacle somewhat amusing in a macabre Flannery O’Connor sort of way. At the time, the incongruence of her manic good mood and the awful image of the thumb stump on the screen of her iPhone struck me as paradoxically life affirming, but 36 hours later, on this overcast Sabbath morning, the incident seemed merely strange and sad.

Adding to my melancholia is the mournful state of our body politic. The Republican Party primary in my home state and the Democratic caucuses in Nevada had just gone down. Last week, the Hoodoo household suffered a relentless barrage of robo calls that could have driven even Stewart Smiley to suicide. A recorded message from the Cruz campaign, for example, featured one of the Duck Dynasty stars shilling for Ted, quoting none other than Thomas Jefferson himself. I could hear it blaring from our landline’s speaker as I worked on Saturday’s crossword puzzle.

Because we’re smack dab in the middle of the Roman spectacle of this campaign cycle, I doubt if we can fully appreciate just how surreal it actually is. The leading Republican candidate, who has won two of the first three contests, resembles Don Rickles more than John McCain or Mitt Romney. The Republican debates seem more like Hollywood Roasts than they do serious discussions of the profound problems facing our aging Republic – the threat of ISIS, grotesque economic inequality, an epidemic of mass murders, an aging population being supported by tax dollars siphoned from the paychecks of young people with massive student loans, the increasing unrest of a black population sick and tired of the status quo – of seeing their children murdered by suspicious white neighbors or gun downed/strangled by overzealous police officers. Then there’s the matter of Flint’s water supply being poisoned by misfeasance or worse.

Speaking of race, before I left for Summerville, I had downloaded Kendrick Lamar’s To Pimp a Butterfly, a rather melancholy piece of business itself.

Because of Butterfly’ s almost universal critical acclaim[1], I had listened to snippets via iTunes but decided to not purchase the album. However, a student  I’d turned onto Dr. John told me he thought I’d like the new rap music he was listening to, and the next day handed me a long handwritten list of songs, several of which were from the Lamar album.

So I decided to devote the two-hour round trip to checking out the record, listening to it once on the way to the funeral home, and once on the way back. That way I could avoid thinking about Virginia, who unlike Lamar, never made it our of her cocoon.

 To Pimp a Butterfly

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Okay, what we’re dealing with here is essentially narrative collage, a sonic novella akin to a not-all-that-positive LSD trip. Unlike most male-produced hip-hop, Butterfly doesn’t traffic in braggadocio; i.e., it is not an exercise in self-exaltation where a DJ catalogues his sexual conquests/treasure trove of top end cultural artifacts.[2] Instead, Butterfly explores Lamar’s guilt over what he sometimes perceives as the abandonment of his friends and family back in the ghetto of Compton after his entrance into the gilded realm of the rich and famous.

In a sense, it’s a classic Jungian battle between persona and self. Actually, it’s not so much like an LSD trip but more like a guided tour of someone’s unconscious with memory motifs periodically rising to the surface amid a dense swirl of background noises, bass riffs, horns, pianos, etc. Of course, the central theme is race – the difficulties urban African Americans face, shit, as Lamar would say, like teen pregnancy and gang warfare. Ultimately, the record can be seen as a parallel to the hero’s journey, a mannish boy leaves the circle of his home in the ghetto, endures a series of trials, and returns a Man with knowledge to share with his countrymen and women – in this case, his homies.

The record begins with “Wesley’s [as in Snipes] Theory,” what Greg Tate of Rolling Stone describes as “a disarming goof that’s also a lament for the starry-eyed innocence[3] lost to all winners of the game show known as Hip-Hop Idol.”

Unlike most instances of the hero’s journey, we begin in medias res, already outside the ghetto homeland and in the realm of celebrity. The track features both Dr. Dre and the great George Clinton.

Lamar describes his behavior after first getting signed to a record deal and the disillusionment that soon follows. He loses his “first girlfriend” and finds “[b]ridges burned, all across the board/Destroyed, but what for?”

He “hit[s] the dance floor,” goes predatory “snatch[ing] your little secretary bitch,” and then embarks on a spending spree with “platinum on everything.”

When I get signed homie I’mma buy a strap

Straight from the CIA, set it on my lap

Take a few M-16s to the hood

Pass ’em all out on the block, what’s good?

I’mma put the Compton swap meet by the White House

Republican, run up, get socked out

Hit the press with a Cuban link on my neck

Uneducated but I got a million dollar check, like that

Both Dr. Dre and George Clinton offer warnings. Dre’s practical:

But remember, anybody can get it

The hard part is keeping it, motherfucker

Clinton’s metaphysical:

Lookin’ down is quite a drop (It’s quite a drop, drop)

Lookin’ good when you’re on top (When you’re on top you got it)

A lot of metaphors, leavin’ miracles metaphysically in a state of euphoria

Look both ways before you cross my mind

Bad news for uneducated moguls:

Tax man comin’

Tax man comin’

Tax man comin’

Tax man comin’

Tax man comin’

George+Clinton+52nd+Annual+GRAMMY+Awards+Arrivals+QEt1sIkYnVsl

George Clinton

Musically, the next two cuts, “For Free” and “King Kunta” are my favorites, the former some serious bitchin’ rapped over a discordant, jazzy blend of drums, piano, bass, and horns.  It reminds me of toned down version of Tom Waits’ “Minute,” which, in turn, reminds me of the soundtrack of a manic car chase from a ’50’s TV crime drama.

“Kin Kunta,” killer funk, owes an awful lot to James Brown’s “Payback.”

He’s mad:

Got a bone to pick

I don’t want you monkey mouth motherfuckers sittin’ in my throne again

(Aye aye nigga whats happenin’ nigga, K Dot back in the hood nigga)

I’m mad (He mad), but I ain’t stressin’

True friends, one question

Kendrick’s Mr. Big Shot:

I was contemplatin’ gettin’ on stage

Just to go back to the hood see my enemies and say

Bitch where you when I was walkin’?

Now I run the game got the whole world talkin’, King Kunta

Everybody wanna cut the legs off him, Kunta

Black man taking no losses

Bitch where you when I was walkin’?

Now I run the game, got the whole world talkin’, King Kunta

Everybody wanna cut the legs off him

This inauthenticity can’t last. Repeated throughout the narrative is a memory of a breakdown:

I remember you was conflicted

Misusing your influence

Sometimes I did the same

Abusing my power full of resentment

Resentment that turned into a deep depression

Found myself screaming in a hotel room

The 6th track corresponds to the “belly of the whale” stage of the hero’s journey, deep depression, Odysseus in the Underworld. It’s a powerful, raw, authentic confession of self-contempt.

Jonah/Kendrick

Jonah/Kendrick

And you the reason why mama and them leavin’

No you ain’t shit, you say you love them, I know you don’t mean it

I know you’re irresponsible, selfish, in denial, can’t help it

Your trials and tribulations a burden, everyone felt it

Everyone heard it, multiple shots, corners cryin’ out

You was deserted, where was your antennas again?

Where was your presence, where was your support that you pretend?

You ain’t no brother, you ain’t no disciple, you ain’t no friend

A friend never leave Compton for profit, or leave his best friend

Little brother, you promised you’d watch him before they shot him

Where was your antennas, on the road, bottles and bitches

You faced time the one time, that’s unforgiven

You even faced time instead of a hospital visit

You should thought he would recover, well

The surgery couldn’t stop the bleeding for real

Then he died, God himself will say “you fuckin’ failed”

You ain’t try.

In the ten tracks that follow, the hero begins his ascent. God provides the Supernatural Aid universally present in the hero’s journey. The protagonist’s focus becomes less egocentric and more visionary.

On the track “i” we get apotheosis:

I done been through a whole lot

Trial, tribulations, but I know God

Satan wanna put me in a bow-tie

Praying that the holy water don’t go dry, yeah yeah

As I look around me

So many motherfuckers wanna down me

But ain’t no nigga never drown me

In front of a dirty double-mirror they found me

 

And I love myself

(The world is a ghetto with guns and picket signs)

I love myself

(But it can do what it want whenever it wants and I don’t mind)

I love myself

(He said I gotta get up, life is more than suicide)

I love myself

(One day at the time, sun gone shine)

Some of these latter cuts bring to mind Gil Scott Heron.  The record ends with  Lamar interviewing poor old dead Tupac (thanks to an old radio interview) and an oral SparkNotes-like explanation of the caterpillar/butterfly motif.

I’m, of course, not doing the record justice. I can’t come even remotely close to conveying the magical meld of sound and sense and image that is the record.  Plus, I’ve left out Lucy (Lucifer) and all kinds of political subtexts, but, just leave it at this: I give it an A+++++ going on masterpiece.

Conclusion

On the morning after the Charleston massacre, I had to go to the cleaners to pick up a tux for my son’s wedding and go buy some black shoes.  I reckoned I’d encounter anger among African Americans given that I was angry myself.  The first black man I saw was sitting in a lawn chair drinking a beer on the edge of the parking lot of the laundry.  I waved, and he waved back.  A black woman rang me up at the shoe store, and when she asked me how it was going, I said that all this hatred had me feeling really low, and she said things would get better. I don’t know if she had made the connection to the shootings that had taken place about five miles away.  Probably she thought it was just some kind of personal trauma, even though I was sporting all my fingers and both thumbs as I handed her the credit card.

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[1] E.g., this from Rolling Stones’ Greg Tate: “To Pimp a Butterfly” is a densely packed, dizzying rush of unfiltered rage and unapologetic romanticism, true-crime confessionals, come-to-Jesus sidebars, blunted-swing sophistication, scathing self-critique and rap-quotable riot acts. Roll over Beethoven, tell Thomas Jefferson and his overseer Bull Connor the news: Kendrick Lamar and his jazzy guerrilla hands just mob-deeped the new Jim Crow, then stomped a mud hole out that ass.”

[2] He does, however, by my count twice boast of the size of his dick, claiming nine inches at one point.

[3] “Starry-eyed innocence in Compton?