Choo-Choo Ding-a-Ling-a-Ling

Intro

So, I decided to take Amtrak to DC to spend time with my Yankee-Doodle-Dandy grandson and his parents instead of driving up there on 95 in a 2007 Mini Cooper jockeying among speeders headed to New York and those big rigs spewing their diesel that travel at varying speeds. Nor did I want to deal with Fourth of July airline woes, the inventible delays, the soullessness of the spaces where you wait in cramped quarters among others.[1]

Advertising it as a nine-hour trip, the website boasted of Wi-Fi and electric plugs, a cafe car, and microwavable entrees (though they didn’t present the menu quite like that). I was all aboard. It would be an adventure, and indeed the trip back ended up being an adventure featuring coincidences, camaraderie, a micro-overdose, and a very belligerent wheelchair bound forty-something rage hollering with stitches bridging a freshly broken nose.

On the trip up, which ended up being ten hours, I spent a bit of time staring out of my window contemplating the wide-open spaces in one of the reddest parts of the reddest of states, acres of corn, acres of woods, lonely manufactured homes in the distance with no neighbors in sight, dying towns with water towers in need of painting, all this rushing or creeping past under the mournful warning of the whistle – though it doesn’t sound like a whistle but more like a sad exasperated industrial sigh. 

I tried to put myself in their places, to imagine what their lives are like, like Lucinda does here.

I walked out in a field,
The grass was high, it brushed against my legs.
I just stood and looked out at the open space,
And a farmhouse out a-ways.
And I wondered about the people who live there.
And I wondered if they were happy and content.
Were there children and a man and a wife?
Did she love him and take her hair down at night?

                                                            Lucinda Williams, “Side of the Road”

Chevy Chase

So I spent two days hanging with my older son Harrison, his wife Taryn, Taryn’s mother Sue, and, of course, Julian, a mighty master of nouns, who calls me Rusty. His uncle Logan he calls Lo-Lo; Logan’s wife Ivette he calls Te Te.  He calls his maternal grandfather, Pop Pop and Pop Pop’s girlfriend Fi Fi. 

Lo-Lo-Te-Te-Pop-Pop-Fi-Fi.[2]

Casey Jones, You Better Watch Your Speed

We went to a playground on day one and had a lovely birthday party day two, but the next thing you know, I’m in an Uber headed to Union Station, and the driver pantomimes/asks if he can stop for gas, pointing to a gauge looking dire. I told him I wasn’t in a hurry, so he got out and sprinted into the Circle-K to stand in line at the counter to purchase forty-dollars’ worth of unleaded. 

Despite the delay, I got to the station in enough time not to be stressed. A train station is much more straightforward than an airport. I love the fact that you can get on without showing a ticket. Anyway, though I’m not supposed to be superstitious, I look for omens. If this were a short story, I’d make the ride much more creepy, dramatize it as foreshadowing, a bad bodement that things on the trip could very well go wrong.

But anyway, I climbed aboard, a spry 70-year-old two-bag toting fedora sporting dandy of sorts. They cordon you into cars headed to the same latitudes, Rocky Mount, Florence, Kingstree, North Charleston as opposed to Georgia and Florida. There were only singleton seats next to others, so I asked the fellow pictured below if he minded if I sat next to him. “Not at all,” he said in a pleasant Southern California voice that has a nice balance between vowels and consonants.

This fellow, whose name is Derrick, smelled of alcohol but was not in the least intoxicated, so at first we sat silently, he listening to music via earbuds, I reading from a dream journal I created in the last century. I had grabbed it off the shelf because I couldn’t find a notebook, and I knew the journal had blank pages. The first entry is dated 2/12/80 with a dream in which I’m a juror in a show trial. The last dream entry is dated 3/1/97. Here’s the dream:

I dream I encounter a sort of Jungian “wise old man.” He’s a cross between Ezra Pound [the opposite of a wise old man] and Ashley Brown [a former professor with a speech impediment]. He [the Jungian old man] has a goatee but a kind young-seeming face. His speech impediment is gone. He speaks many languages but is humble – [illegible] of over-indulgence but admits he’s travelled that path. He says he’s going off to church to “become learned in eternity.” 

The journal also contains lists of books I read over the years starting in 1992 and ending in 2004.

Perhaps an hour elapses in silence. After I finish reading the journal, I reach for one of the novels I’ve brought, Richard Ford’s Be Mine, whose plot revolves around a 74-year-old man caring for his 47-year-old son who is dying of ALS.[3]

My neighbor reaches down to procure another Bud Lite and asks me if I would like a beer. It’s eleven-something, before the cafe car serves alcohol.[4]

“I’d love one,” I say. “You coming from DC?”

“No, Baltimore. I’ve been staying with my best friend who has ALS.”

“What a coincidence! This novel is about ALS. One of my best friends died of ALS.”

He takes a photo of the cover and tells me about his friend, who has had ALS for about a year. His friend, whose nickname is Ziggy, is still ambulatory. Derrick spends weeks at a time with him, rigging up inventions like a hand-operated thing-a-ma-jig that raises and lowers the umbrella on a patio table. Derrick is relentlessly upbeat. He and Ziggy live in the present, which is what the narrator of Be Mine is attempting but failing to do.

Over the course of the next two hours he plies me with Bud Lites, so I get his address so I can mail him a copy of my novel Today, Oh Boy. He also offers me his vape pin to take to the restroom to hit on some cannabis, which I politely turn down. However, he insists I take this piece of chocolate, legally purchased in liberal Maryland. “You got four more hours,” he said. “You ought to take it now.”

“The whole thing?”

“Yes.”

So I did.

There’s No Fool Like an Old Fool

I don’t enjoy tripping; a slight buzz is enough for me.

When I used to occasionally drop acid back in the early 1970s (when coming down off the strychnine-laced drug was physically painful), I’d swear off it forever. One time in ’73 I threw away my paraphernalia, my incense holder, etc., which I attribute to the traces of Protestant guilt that remain in my bloodstream despite my agnosticism. Yet, years later, I’d relapse and accept a hit as a gift in communal gatherings, even though when I’m tripping, I crave solitude. 

Anyway, all too soon I was way too high and started suffering bodily discomfort. It was like being in a bad dream in murky light, but at least I knew it was a dream. I practiced breathing exercises, stared out of the window at a surreal rush of staccato-ing images, green vegetation tearing past, trains blurring by in the opposite direction. I tried to will my way into enjoying the present, which, as the effects waned over the ensuing hours, I was able to do, and by the time we hit Florence, I was in control enough to sway my way to the cafe car for a Stella.

The end was in sight.

No Expectations to Pass Through Here Again

The North Charleston Amtrak station must be new. It’s white and gleaming, the restrooms immaculate. The bad news was that it was pouring, and I was having trouble procuring an Uber, essentially because I live at Folly Beach. Finally, the app claimed someone was on the way, but the tiny car on my screen was going around in circles, alternating from 6.1 miles to 6.2 miles, so I called the driver and asked if he was headed to the train station, and he said yeah, and then the car on the screen started slowly heading to the dot of my location.

I was standing outside with others when a rough looking wheelchair bound wreck of a human in filthy sweatpants suddenly rage-screamed at the top of his lungs. I’m a really accomplished nothing-doer in situations like this, so I pretended that nothing unusual had happened, but unfortunately, he rolled up to me and asked to get him a cab. I shook my head no. He got abusive, so I went inside and stood next to the no loitering sign, but he followed me inside anyway, so I donned my scary pissed-off mask and hissed, “No, I’m not getting you a cab.” His eyes were glazed; he had stitches in his nose, which was bruised and broken.

I went back outside to wait on my Uber when a cop car pulled in. I verbally greeted the officer as he went inside and received a tense nod of acknowledgement.

Finally, my driver arrived, and as we left the parking lot, I saw two cops talking to the wheelchair man.

Alas, as he were headed home on Cosgrove, I heard the driver’s GPS voice say, “Take I-26 East,” and I said, “No, go straight,” which he did, which seemed easier but then I had to tell the driver where to turn from the back seat, and once again I was in an unfortunate Uber situation, which I supposed was a fitting bookend to my travels. The driver wouldn’t pull into my driveway, so I hauled out my bags and ran around to the garage in the pouring rain, fumbled for the light switch on the second piling, procured the hidden key, and stepped into the safe solitude of 516 East Huron.

The entire trip had taken twelve hours and by that, I mean the train trip. Real and unreal.


[1] BTW, like George Cohen, the composer of “Yankee Doodle Dandy,” my grandson Julian was born on the 4th of July.

[2] It’s all yours, Ms Moni. Write a song, compose a rhyming children’s book about a 4th of July family get together cause I’m all eat up with lassitude and can’t get round to it ever..

[3] The other novel I’ve brought is Anna Karenina, the perfect book to read on a train!

[4] I’m not making this up, an email notification just came up on my screen :

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Hey Wesley,We wanna hear all about your train trip from Washington to North Charleston on Jul 05. Can you spare just two minutes to share your travel experience? 
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If you did not travel, but still have feedback to share or need assistance filing a claim with the carrier, please email us at contact@wanderu.com.Thank you!Cheers,Chiku & the team at Wanderu

Folly Float Frenzy

8 September 2013

Sad to say but word has reached me that a disgruntled fellow ethnologist (who shall remain nameless) has criticized yours truly for choosing Folly Beach, SC – the Edge of America – as the focus of my anthropological studies.  Granted, habitating Folly might on the surface seem cushier than dining on locusts in a mud hut among the Gola and Kissa peoples of Liberia; however, let me tell you, dwelling on Folly is no piece of coconut cream cake.  

In addition to mosquitos, yappy dogs, sauna-like humidity, and jaywalkers, citizens of Folly must also endure the grating roar of jet skis, scantily clad retired pro wrestlers, and some of the most garish Late Empire tattoos known to man humankind.  Oh, whine on nameless naysayer, but a complete anthropological portrait of our planet must include all peoples, not just primitive pre-industrial tribes.

In addition, documenting the folkways of Folly Island poses dangers, especially around the river and ocean (I wonder how many of my critical colleagues encamped in the Kalahari have suffered jelly fish bites on their assignments?).  Take yesterday, for example, when my trusty unpaid intern Jesus “Paco” Martinez and I braved the treacherous Folly River to record the Island Festival known as the Folly Float Frenzy.  To say we found ourselves in harm’s way is an understatement, like saying a devout Mormon might find Miley Cyrus’s performance at the MVA awards off-putting or that smoking a bunch of dope and then deciding to fashion your own bungee cord might be a bad idea.  Anyway, what follows is a first person account of yesterday’s festival.

Warning, some of the following images might be upsetting to young readers. 

Background

One characteristic of Folly people is their propensity to party, which manifests itself in a plethora of civic sponsored festivals:  New Years Fireworks, Follylapooza, St Patrick’s Day, Follygras, the Sand and Sea Festival, the Tree and Bush Festival, the Stem and Seeds Festival, etc., etc. 

The Float Frenzy is an annual September Saturday morning event in which tribes build floats loaded with malted alcoholic beverages, launch them from Folly Boat Landing and see which of the tide-bourne vessels arrives first at Sunset Cay, a marina bar on the southern tip of the island (see below). At the Cay, the participants continue to consume even more malted beverages at the bar and stare at cell phones. Part mating ritual, part celebration of the Sun God, the festival offers a peek at Folly people at their most unguarded, and at the Sunset Cay, Paco and I were lucky enough to witness one female denizen twerking to the accompaniment of amplified music, a sight neither of us will ever forget. 

The image below depicts the round trip route from the Moore’s dock to Sunset Cay.

One of the challenges we faced was to make it from Moore’s Dock to the Sunset Cay and back within the constraints of the ebbing tide, which could make re-entry into the creek that leads to Moore’s Dock impossible.  If we were to misjudge our return, we’d have to face to daunting task of dragging our kayaks between the Scylla and Charybdis  of pluff mud and oyster shells.  Leaving at 10:45, we needed to be back by two or face the unthinkable.  Obviously, the time it takes to navigate the Folly varies according to wind and tides, and we’d be going against both on the return trip.

Paco at the beginning of our trip (note the phallic fertility obelisks in the background)

The Trip

To be as inconspicuous as possible, Paco and I donned local costumes (tee shirts and board shorts) and loaded our kayaks with malted beverages.  In addition, that intrepid intern also brought a bag a boiled peanuts (a local delicacy), which became a life-saver at the Cay, providing us with much needed protein for the Odyssian trek home.

As we approached the landing I couldn’t see any floats. In previous years participants were more numerous, a veritable flotilla of elaborate watercraft dotted the river, but this year’s contingent consisted of a paltry four or five floats.

a few of last year’s participants

As fate would have it, this year’s most elaborate float, an homage to the endangered sea turtle, would face two horrific incidents.  First, without any steering mechanism, it almost crashed into an anchored yacht.

The Turtles weren’t the only craft to suffer the fury of nature.  This vessel started taking on water, and two of its occupants were transferred to a more seaworthy craft.

Eventually, the marina came into view with the current really churning. I heard my name called, and there stood Judy Birdsong, so I paddled toward her, crashing into the pier sideways.  Paco was right behind me.  We lashed our kayaks to the pier hold and made our way to Sunset Cay to join the natives in downing malt beverages.  Paco had some bad news to share; the Turtles had crashed into the marsh.

The best laid schemes of mice and turtles.

Yes, we had survived the trip to the Cay. . . 

and we couldn’t believe our luck when we witnessed a very rare daylight sighting of Folly twerking.  If only I had had the presence of mind to shoot a video instead of still photos!

Paco dubbed her “the human maraca” – those bangles were a-clacking

It was Judy Birdsong who brought us down to earth by asking the time.  

“Oh, it’s 1:05,”  I said, “We’re okay. Low tide’s not till 4.”

“4?”  she asked incredulously.  “Low tide’s at 3!  I checked before riding down here.”

I’m not going to bore you with the saga of our trip back – the gale-like breeze, the on-coming tide, the lukewarm beer – it was Kon-Tiki all over again.  

An hour and twenty minutes later we found ourselves at the mouth of the creek, our paddles hitting oyster banks.  Yet we made it with only about an inch of water to spare. (Note the bottoms of the kayaks below).  

We had devoted 4 1/2 hours of the sake of science documenting the people and culture of Folly Beach and proven that you can get into the creek an hour before low tide.  Our expedition had been a success, no matter what those elitist mud-hut living ethologists have to say.

Judy Birdsong and the worn out kayaks

Here We Go Loopy Light

Here We Go Loopy Light

Here we go looby loo,
All on a Saturday night,

They say socializing jazzes up 

old people’s metabolism, 

that yakking it up may ward off 

something or another, 

which is a happy accident 

in my case, 

because even 

if I were operating 

an electric wheelchair, 

I’d be locomoting 

up to the bar, 

making eye contact, 

getting my suds delivered.

You Can’t be Any More Out of It Than Dead

Cotswold cottages with hollyhocks and roses at sunset, Mickleton near Chipping Campden, Gloucestershire, England.

You Can’t be Any More Out of It Than Dead

Nor dread nor hope attend
A dying animal;
A man awaits his end
Dreading and hoping all.

WB Yeats

Perhaps the only people who die happy are James Dean types who, defying speed limits, enjoy an intense adrenaline rush right before a fiery crash instantaneously switches off the lights. Dean died young as did F Scott Fitzgerald, who legend has it, suffered a massive heart attack at 44 while making love to Sheilah Graham, a gossip columnist. Nevertheless, I doubt that he died happy. One of the symptoms of a heart attack is a feeling of impending doom.

Of course, the opposite of dying young is enjoying an extended lifespan, but you don’t want to overdo it. Chances are that if you succumb at the way overripe age of 97, you’ve outlived your spouse – maybe two – and perhaps one or two of your children. Chances are you’re sick and tired of wheelchairs, sick and tired of constant confusion, or simply sick and tired. 

Even if you’re happy right before your death, after the event, you’re simply dead, so nothing matters to you anymore anyway. You don’t pick up on those Happy Heavenly Father’s Day Facebook posts, nor, on the plus side, does the Braves’ bullpen blowing a save bother you. Fact is that you can’t be any poorer than dead, or, as Flannery O’Connor’s Francis Marion Tarwater puts it, “The dead don’t bother about particulars.”

It would be nice, though, to die in a relatively serene era of history, puttering around a cottage in the Cotswolds’ in the 1870s, say, not fixating on the Franco-Russian war, but tending to your roses, having time enough to notice the lovely russet sunset beyond the hedgerows. Wouldn’t it be nice to die in a place of peace and quiet surrounded by loved ones who realize that death is the mother of beauty? 

That’s the way to go. 

Copyright: Copyright © 2013 Tom Bartel

Here Comes the Night

Illustration by James Lee Chiahan. Source image: Karol Jalochowski / Santa Fe Institute / Miller Omega Program.

13 June 2023

I can’t listen to music and write simultaneously. For example, right now I’m attempting to crank something out while listening to the Human Beinz only hit, “Nobody But Me.”

“Nobody, Nobody, Nobody, Nobody . . . “[fade out]

Big day today. It’s William Butler Yeats’s 158th birthday, Trump’s been arraigned, Cormac McCarthy has died, and an obviously un-embalmed would-be corpse in Ecuador disrupted her wake by banging on her coffin lid, which brings to mind the Irish song “Finnegan’s Wake” and that Bloomsday is only two days away.

Yeats, Joyce, and McCarthy, three undisputed geniuses.

Now, Lucinda Williams is singing “2 Kool 2 Be 4-Gotten,” which reminds me of these spiral notebooks kids passed out in junior high. I can’t remember what we called them, but the owner would pass the notebook to you, and you signed your name in the front page with a number, and each kid in the class had his or her own page, and you wrote what you thought about the person on that page using the number as your signature. At the top of one of the pages, you’d see your name, then in various handwritings assessments of your character and personality. To find out who thought what, you’d refer to the first page with the names and numbers. I’d get a slew of “OK”s, a couple of “cools” but no 2 Kool 2 Be Forgotten”s. Then you’d cast your own judgement on the participants and hand the notebook back to the owner.[1]

Now, I’m hearing through my headphones Nancy Griffin’s cover of Kate Wolf’s great song “The Great Divide”. When I was teaching, I used the song to illustrate TS Eliot’s notion of what he called “the objective correlative,” the idea that ideas need to be embodied in imagery.

The finest hour that I have seen
Is the one that comes between
The edge of night and the break of day
It’s when the darkness rolls away.

It’s gone away in yesterday.
Now I find myself on the mountainside
Where the rivers change direction
Across the Great Divide.

The great divide, Cormac, Treat Williams. Nanci Griffin, Kate Wolf, Judy Birdsong, but not the woman from Ecuador, not Donald Trump, not Henry Kissinger, not Jason Chambers, not Caroline Tigner Moore, not you, not I-and-I, not yet.

And Not Van Morrison, who, conveniently enough, is singing “Here Comes the Night” as I abandon this silly little experiment.


[1] Note the shittiness of the music-marred prose. Like I said, I can’t write and listen to music at the same time.

Lock Him Up – Let the Great Axe Fall 

Obviously, Donald Trump considers himself above the law, thinks that whatever he wishes can be conjured by the genie of his entitlement to become immediately manifest. If he, the Mighty Wizard of Oz Mar-a-Lago, wants documents declassified – presto – they’re his to keep.

According to an audio tape in the possession of prosecutor Jack Smith, Trump has shared the contents of a top-secret document concerning a proposed invasion of Iran with people without security clearances, which is patently illegal. Why be bothered by petty little procedures like institutional declassification if you’re Donald J Trump? Sheltered by his wealth, he routinely has gotten away with ignoring inconvenient laws, and obviously he became complacent about not being taken to task. However, now that has been indicted for stealing classified documents, he is, according to his own paranoid estimation, the most persecuted president in history, more wronged than Lincoln, Garfield, McKinley, and Kennedy.[1]

Instead of “Macho Man,” they should play “Poor, Poor Pitiful Me” at his rallies.

I admit to being old and hard-hearted. I grew reading Hemingway in neighborhoods where dads who had fought hand-to-hand in the Pacific eschewed self-pity and kept their mouths shut when it came to their own personal suffering. They didn’t whine about their travails on the beaches of Normandy or in the jungles of Korea. For them it was blood – literally in some cases – under the bridge. That was the price you paid for freedom.

Of course, Donald Trump avoided the draft via bone spurs so didn’t get the chance to employ his reform school military training in Viet Nam. He learned from his father Fred that rules were made to be broken. What he didn’t receive from Fred was affection. It’s not at all surprising that an unloved scion of a real estate fortune would grow up to be needy. 

What does surprise me, though, is that so many self-proclaimed red-blooded males, especially Southern males, have not only embraced, but in some cases deified, this crybaby. Donald Trump is the absolute antithesis of the caricature of Robert E Lee that Southerners of my generation had been groomed to revere. 

Despite his vulgar bluster, Trump is no John Wayne, no James Bond. no Hamlet the Dane. Rather, he’s Michael Henchard from the Thomas Hardy’s The Mayor of Casterbridge (though that’s a little unfair to Henchard who was capable of self-recrimination and regret).

JOEY MACALLE 

Like Henchard, Trump’s a self-pitying blowhard who somehow PT Barnum-ed his way into elected office.  Unlike Henchard, though, Trump has become a cult figure, a demigod. His deification among gun-toting, drag-queen-hating outdoorsmen is beyond counter-intuitive, especially given his copious application of make-up, his platinum comb over, his gut-concealing girdle. Why do evangelicals see him as Christlike, even though he’s incapable of feeling empathy for anyone but himself?

I don’t know, but I say where offence is – and espionage is a great offence – let the great axe fall. 


[1] Bonus question: Can you name their assassins? 

The Un-Woke Mind Virus

I read this morning in an actual newspaper printed on newsprint that some parent in Utah has successfully petitioned to have the Bible removed from elementary and middle school libraries in that most conservative of states. I guess, though, if you’re going to yank Judy Blume, ‘ol Moses ought to go down, too, writing all that shit about fratricide, genocide, incest. Add to that David’s offing Uriah to he could be with Bathsheba; Job’s getting whacked with woe by his Creator in a friendly bet with his prodigal son Satan; Jacobs’ sons attacking Hamor and Shechem, butchering every male of their enclave, looting livestock, dragging away the wives and children of their victims.[1]

I suspect that the usual vulgarians in Congress (a couple of whom are depicted above) will be howling in protest, perhaps not discerning that their putting parents in charge of schools has more than one ideological scenario. If they’re sincerely serious about eradicating the Woke Mind Virus, they should be ecstatic that the New Testament with its pacifistic, communistic, and inclusive messages won’t fall into the hands of impressionable young people trying to make sense of what TS Eliot called “the immense panorama of futility and anarchy that is contemporary history.”

Compare the MAGA ethos with the Beatitudes, delivered by Jesus after dividing private property (i.e., loaves and fishes) and redistributing them among the masses.

Talking about woke!

Blessed are the poor in spirit,
    for theirs is the kingdom of heaven.
Blessed are those who mourn,
    for they will be comforted.
Blessed are the meek,
    for they will inherit the earth.
Blessed are those who hunger and thirst for righteousness,
    for they will be filled.
Blessed are the merciful,
    for they will be shown mercy.
Blessed are the pure in heart,
    for they will see God.
Blessed are the peacemakers,
    for they will be called children of God.
Blessed are those who are persecuted because of righteousness,
    for theirs is the kingdom of heaven.

I’m reminded of Woody Guthrie’s song “Jesus Christ,” sung to the tune of “Jesse James.”

This song was written in New York City
Of rich men, preachers and slaves
Yes, if Jesus was to preach like he preached in Galillee,
They would lay Jesus Christ in his grave.


[1] The last item in that series happens to be Donald Trump’s favorite Bible story. For more, do yourself a favor and click on the link for BIBLE STUDY WITH DONALD TRUMP.

Cha-Cha-Cha-ing Towards Bethlehem

[Cue Alice Cooper] Now that for me school’s out forever, I have ditched academics, abandoned trying to explain sprung rhythm[1], deep-sixed Victorian bric-a-brac, and turned my attention to my first love, my av-av-av-ocation, anthropology. 

For the last two weeks, between book signings and interviews,[2] I’ve been hanging out with Oscar Wilde, the great-great grandfather of Diana Ross/Lady Gaga, while pondering the relationship among peace, prosperity and decadence.

Wilde embraced the dark velvet decadence of Poe and Baudelaire, cocooning himself in aromatic rooms with lily-stuffed vases, handcrafted furniture, and arrases.  His conversation, to quote Lucinda Williams, “was like a drug,” and he somehow managed to produce two minor masterpieces The Portrait of Dorian Gray and The Importance of Being Earnest in his downtime between partying and lecturing. 

The Great British Empire had enjoyed peace and prosperity for so long that it seemed, as Oscar’s pal Willy B put it, “it would outlive all future days.”  Far from the horrorshow in Africa and India and elsewhere, one lolling on a divan in Chelsea could focus one’s attention on decor even while mocking decorum. 

However, World War I eventually turned people’s attention away from wallpaper design to spiritualism, as widows attempted to contact via seance their dead husbands and sons.  In fact, Wilde’s own son Cyril would die in the trenches at the age of 29, fifteen years after his father’s checking out of this Vale of Tears Days Inn of Woe.

Hit it, Willy B:

We too had many pretty toys when young:

A law indifferent to blame or praise,

To bribe or threat; habits that made old wrong

Melt down, as it were wax in the sun’s rays;

Public opinion ripening for so long

We thought it would outlive all future days.

O what fine thought we had because we thought

That the worst rogues and rascals had died out.


All teeth were drawn, all ancient tricks unlearned,

And a great army but a showy thing;

What matter that no cannon had been turned

Into a ploughshare? Parliament and king

Thought that unless a little powder burned

The trumpeters might burst with trumpeting

And yet it lack all glory; and perchance

The guardsmen’s drowsy chargers would not prance.


Now days are dragon-ridden, the nightmare

Rides upon sleep:  a drunken soldiery

Can leave the mother, murdered at her door,

To crawl in her own blood, and go scot-free;

The night can sweat with terror as before

We pieced our thoughts into philosophy,

And planned to bring the world under a rule,

Who are but weasels fighting in a hole.

                                           WB Yeats “Nineteen-Hundred-and-Nineteen”                   

It was not an enemy’s bullet but the Book of Leviticus what eventually done Oscar in.

“If a man also lie with mankind, as he lieth with a woman, both of them have committed an abomination: they shall surely be put to death; their blood shall be upon them.”

                                                                                                                              20:13

Although increasingly, we outside the MAGA cult resemble the Greeks more than Victorians in our attitudes towards same sex relationships, we, like British Victorians, live in a homeland that has not been invaded by foreign armies for hundreds of years.  Our wars are fought abroad, and not necessarily by our best and brightest.[3]  We can choose not to enlist and focus our attention elsewhere, which in Late Empire America means pursuing the good life, a life of hedonism, of epicureanism, which is all fine and dandy (I confess having stashed away behind a custom-made maple cabinet one bottle of the limited Malt Master’s Edition of a Glenfiddich, a single malt double-cured in oak and sherry casks).

However, if my 1500+ acquaintances on Facebook provide an accurate sample of the bourgeoise, there seems to be a sort of insecure compulsion to woo-hoo about how wonderful their lives are, to snap photographs of luscious dishes (whether prepared at home or eaten out) or inviting beach vistas (perhaps with propped-up bare feet peeking up from the bottom of the photo).  Typical captions read “not too shabby” or “life is good.”   And every coed in America seems to have adopted the preening, narcissistic pose of Kim Kardashian.

This preening worries me because it smacks of pride, and if Oscar were given the second chances that our politicians claim as their due, he certainly might have embraced that other profound pleasure-seeker’s advice, Sir John Falstaff’s, about discretion’s being the better part of valor.  Flaunting, which can create resentment and contempt, tempts fate. Some envious psychotic Trump cultist reads this post, finds out where I live, breaks into my house, takes an ax to my custom-made maple cabinet, and pours out my Glenfiddich before being taken down by our ninja dog KitKat.

By all means, let’s enjoy life but try not to be so smug about it, for O, my brothers and sisters, trouble’s brewing everywhere, in the Atlantic as glaciers melt and hurricanes incubate, in sub-Saharan Africa as bacteria mutate, in Russia where Putin is rattling nukes, in the Far East as Kim Jong II preens into the not-so-funhouse mirror of megalomania.

Happy summer, everyone!


[1] Sprung rhythm is associated with the poet Gerard Manley Hopkins: E.g.

 O the mind, mind has mountains; cliffs of fall 

Frightful, sheer, no-man-fathomed.

[2] I’ve been promoting my novel Today, Oh Boy, which you can buy HERE!

[3] Beau Biden was the first presidential offspring to serve in combat since Ike’s son John Eisenhower.

Perspectives

Facing the setting sun, I’m sitting at the northeast corner of the bar at Chico Feo, elevated by a bar stool and decking and looking down at a picnic table where White people in their early thirties chat. From this perspective, the attractive young blonde’s nose ring makes it look as if she has the sniffles, the metal of her nose ring glinting, looking like liquid. 

Bobby Burns’ immortal words come to mind:

O wad some Pow’r the giftie gie us
To see oursels as others see us!

But so what if from my angle it looks as if her nose is running?  It’s not. The fellow sitting across from her sees a remarkably good-looking hipster with brilliant white teeth. She’s smiling and nodding her head, reaching for her Samurai Sling, her nose ring merely a nose ring.

No thanks, Bobby Burns. I don’t want to see myself as others see me – as sporty codger, vain old man, yellow-toothed toper, dead-end hedonist, whatever. The actual problem of being a septuagenarian is that people don’t see you at all – you’re invisible ­– which reminds me of a string of Washington Post crossword puzzle clues I encountered a couple of Sundays ago.

33 Across: Nurse’s remark, continuing at 61 across

61 Across: See 33 across

85 Across: Physician’s response to the nurse

33 Across: doctor the invisible

61 Across: man is in the waiting room

85 Across: Tell him I can’t see him.

[groan]

Alchemizing One of John Berryman’s Hangovers

Alchemizing One of John Berryman’s Hangovers

with his plights & gripes
as bad as achilles

from John Berryman’s “Dream Song 14”

In my dyspeptic little world,

birds don’t sing in the trees overhead,

but perched aloft on limbs,

they shit on pedestrians,

trudging to jobs that they despise

on a neverending

Sisyphean 

Monday morning.

La la, la la la.