Cha-Cha-Cha-ing Towards Bethlehem

[Cue Alice Cooper] Now that for me school’s out forever, I have ditched academics, abandoned trying to explain sprung rhythm[1], deep-sixed Victorian bric-a-brac, and turned my attention to my first love, my av-av-av-ocation, anthropology. 

For the last two weeks, between book signings and interviews,[2] I’ve been hanging out with Oscar Wilde, the great-great grandfather of Diana Ross/Lady Gaga, while pondering the relationship among peace, prosperity and decadence.

Wilde embraced the dark velvet decadence of Poe and Baudelaire, cocooning himself in aromatic rooms with lily-stuffed vases, handcrafted furniture, and arrases.  His conversation, to quote Lucinda Williams, “was like a drug,” and he somehow managed to produce two minor masterpieces The Portrait of Dorian Gray and The Importance of Being Earnest in his downtime between partying and lecturing. 

The Great British Empire had enjoyed peace and prosperity for so long that it seemed, as Oscar’s pal Willy B put it, “it would outlive all future days.”  Far from the horrorshow in Africa and India and elsewhere, one lolling on a divan in Chelsea could focus one’s attention on decor even while mocking decorum. 

However, World War I eventually turned people’s attention away from wallpaper design to spiritualism, as widows attempted to contact via seance their dead husbands and sons.  In fact, Wilde’s own son Cyril would die in the trenches at the age of 29, fifteen years after his father’s checking out of this Vale of Tears Days Inn of Woe.

Hit it, Willy B:

We too had many pretty toys when young:

A law indifferent to blame or praise,

To bribe or threat; habits that made old wrong

Melt down, as it were wax in the sun’s rays;

Public opinion ripening for so long

We thought it would outlive all future days.

O what fine thought we had because we thought

That the worst rogues and rascals had died out.


All teeth were drawn, all ancient tricks unlearned,

And a great army but a showy thing;

What matter that no cannon had been turned

Into a ploughshare? Parliament and king

Thought that unless a little powder burned

The trumpeters might burst with trumpeting

And yet it lack all glory; and perchance

The guardsmen’s drowsy chargers would not prance.


Now days are dragon-ridden, the nightmare

Rides upon sleep:  a drunken soldiery

Can leave the mother, murdered at her door,

To crawl in her own blood, and go scot-free;

The night can sweat with terror as before

We pieced our thoughts into philosophy,

And planned to bring the world under a rule,

Who are but weasels fighting in a hole.

                                           WB Yeats “Nineteen-Hundred-and-Nineteen”                   

It was not an enemy’s bullet but the Book of Leviticus what eventually done Oscar in.

“If a man also lie with mankind, as he lieth with a woman, both of them have committed an abomination: they shall surely be put to death; their blood shall be upon them.”

                                                                                                                              20:13

Although increasingly, we outside the MAGA cult resemble the Greeks more than Victorians in our attitudes towards same sex relationships, we, like British Victorians, live in a homeland that has not been invaded by foreign armies for hundreds of years.  Our wars are fought abroad, and not necessarily by our best and brightest.[3]  We can choose not to enlist and focus our attention elsewhere, which in Late Empire America means pursuing the good life, a life of hedonism, of epicureanism, which is all fine and dandy (I confess having stashed away behind a custom-made maple cabinet one bottle of the limited Malt Master’s Edition of a Glenfiddich, a single malt double-cured in oak and sherry casks).

However, if my 1500+ acquaintances on Facebook provide an accurate sample of the bourgeoise, there seems to be a sort of insecure compulsion to woo-hoo about how wonderful their lives are, to snap photographs of luscious dishes (whether prepared at home or eaten out) or inviting beach vistas (perhaps with propped-up bare feet peeking up from the bottom of the photo).  Typical captions read “not too shabby” or “life is good.”   And every coed in America seems to have adopted the preening, narcissistic pose of Kim Kardashian.

This preening worries me because it smacks of pride, and if Oscar were given the second chances that our politicians claim as their due, he certainly might have embraced that other profound pleasure-seeker’s advice, Sir John Falstaff’s, about discretion’s being the better part of valor.  Flaunting, which can create resentment and contempt, tempts fate. Some envious psychotic Trump cultist reads this post, finds out where I live, breaks into my house, takes an ax to my custom-made maple cabinet, and pours out my Glenfiddich before being taken down by our ninja dog KitKat.

By all means, let’s enjoy life but try not to be so smug about it, for O, my brothers and sisters, trouble’s brewing everywhere, in the Atlantic as glaciers melt and hurricanes incubate, in sub-Saharan Africa as bacteria mutate, in Russia where Putin is rattling nukes, in the Far East as Kim Jong II preens into the not-so-funhouse mirror of megalomania.

Happy summer, everyone!


[1] Sprung rhythm is associated with the poet Gerard Manley Hopkins: E.g.

 O the mind, mind has mountains; cliffs of fall 

Frightful, sheer, no-man-fathomed.

[2] I’ve been promoting my novel Today, Oh Boy, which you can buy HERE!

[3] Beau Biden was the first presidential offspring to serve in combat since Ike’s son John Eisenhower.

Tess of the Baskervilles: A Literary Mash-Up

The novel opens with a mini mystery– Philip Marlowe and Colonel Kurtz speculate on the owner of an alligator wallet left in their office by an unknown visitor. Wowing Kurtz with his extraordinary common sense, Marlowe opens the wallet and looks at the drivers license to discover that the wallet belongs to DH Lawrence, which provides a convenient entree into the history of British pornography.

Entering the office and opening a laptop, Lawrence plays for Marlowe and Kurtz an 18 1/2 minute porno film that features an unknown actor portraying Richard Nixon. Playing the role of Rosemary Woods in the film is the tragically beautiful porn star Tess Baskervilles, who mysteriously disappeared without a trace four years ago.

Lawrence maintains the film was shot within the last year because the director has carelessly left on the bedside table an anachronistic copy of Hillary Clinton’s recently published memoir Hard Choices. Slowing down and stopping the action, Lawrence zooms in to Tess’s right ear, which because of a childhood dog attack, has a jagged lobe. “See, it is she,” he stiltedly says. Oddly enough, throughout the film the only stitch of clothing the actress wears in one red Chuck Taylor Converse All-Star hightop.

Agreeing to take the case, Marlowe and Kurtz quickly discover that Charles G Koch and David H Koch, the billionaire Republican political operatives, were the producers of the film and the screenplay was written by Peggy Noonan, the first Bush’s head speechwriter, the author of the famous “ten-thousand points of light” slogan and the less famous line “Oh, Dickie, lick me,” from the Nixon/Woods porno vehicle starring Baskervilles and the mystery actor portraying Nixon.

Once in Washington, DC, where the film was shot, Kurtz discovers a state of emergency as someone has released scores of filthy pigeons in Battery Kemble Park. Kurtz meets potential suspects of the release in the park, two aides of Senator Ted Cruz, and decapitates them, placing their heads on stakes to demonstrate that he is “beyond their petty, lying morality.”

A series of mysteries transpire in rapid fire succession. Condoleezza Rice is seen skulking around the grounds of 3067 Whitehaven St NW, the home of Bill and Hillary Clinton; Kurtz spies a lonely figure keeping watch on the Clinton mansion; and after being threatened with blackmail by Marlowe, Robert Koch reveals that the porn film was directed by David Mamet.

Doing his best to unravel these threads of the mystery, Kurtz dispatches a camera drone to discover the lonely figure is none other than Marlowe himself.

Marlowe has discovered through his observations a mysterious woman being secreted in and out of the Clinton’s house, whom he suspects is none other than Lady Gaga, nee Tess Baskervilles. The Kochs, Cruzes, Mamets, and Noonans have only been pawns in the Clintons’ machinations — both Bill and Hillary have been Tess’s lovers, and unknown to the right-wingers, it was Slick Willie himself disguised by his eerily accurate Nixon make-up who played Rosemary Woods’s lover in the 18 1/2 minute porno film.

In a dramatic final scene, Kurtz and Watson use the Obama’s dog Sunny to track down Tess/Gaga using the scent of the sister shoe of the red Converse sneaker worn in the film.

Despite state-of-the-art burglar alarms and secret service agents, Marlowe and Kurtz gain entrance into the Clintons’ house where they discover Tess Baskerville/Gaga in bed with Condoleezza Rice.

They snap photos and threaten to sell them to the tabloids unless Condoleezza apologizes for her role in the Iraq debacle, which she hesitantly does by admitting “mistakes were made.” They then confront the Clintons who are upstairs scrutinizing poll data. Bill and Hillary brush off the two detectives maintaining the whole fiasco was a vast rightwing conspiracy and rattle off the names Koch, Mamet, Cruz, Noonan to prove their point.

Back in LA, Marlowe ties up a few loose ends with DH Lawrence while Kurtz writes a high-strung novelization of the porno film, an account that throbs with eloquence.

fin

If you enjoyed this write-up, be on the lookout for the next exciting product from Mash-up Lit, The Hound of the D’Urbervilles.

Why I Ain’t Inviting Jesus to My Fantasy Dinner

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Once upon the time, our local paper published a Thursday supplement that targeted local geographical communities like “West Ashley,” “East Cooper,” “Summerville,” etc. In those supplements a column called “Do You Know?” featured interviews with faux celebrities like the heads of recreation departments, popular bartenders, and other notable citizens that help make life more bearable for us First World sufferers. We’d learn the towns and cities of their births, their idea of a fun weekend, their favorite dishes, and inevitably, their chosen guests at a “fantasy dinner.”

Without a doubt, the most popular fantasy dinner invite of all time was Jesus. Not Jesus Alou, mind you, but the Jesus, the one from Nazareth. I’ll get into why choosing accompanying guests is problematic with Jesus at the table, but first, let’s address a gargantuan challenge involved with entertaining Joseph and Mary’s first born.

He speaks Aramaic!

If you’re thinking, yeah, but he’s the Son of God, a miracle worker, let me remind you he was also Mary’s son, i.e., half human and sometimes plagued with doubts (cf., Gethsemane). From my reading of the Gospels, it’s not as if he had a clear pipeline to God through which the latter would walkie-talkie-like tell him what to do. Turning water into wine, casting out demons, walking on water seem like veritable pieces of cake compared to mastering a language that didn’t even exist when you were alive.

No, if I had the chance to meet Jesus in the flesh I’d want him all to myself, to be able to look him in the eye, perhaps to pantomime messages back and forth, to have the focus to be only on him. In other words, I don’t want Leonardo or Nietzsche, or Lady Gaga distracting me with Jesus in the house.

C’mon folks, invite fun folk who speak the same language to your fantasy dinners: Groucho, Dorothy Parker, Oscar Wilde, Jane Austen, or if you wanna get shit-faced with the dead, Richard Burton or Christopher Hitchens.

Oops, this just in from my superego: “It’s a fantasy, jackass, make believe. You can have Jesus speak English if you want.”

Okay, then. What about dress? Nice casual? A clean robe for Jesus, a diaphanous jumpsuit for Lady Gaga? And what to serve? Loaves and fishes? Wiener schnitzel?

Like, I said Richard Burton and Christopher Hitchens . . .