Elegy

Click the grey arrow above for sound.

As a child her favorite color

was black,

an omen I guess.

I remember her in

Ms Mason’s art class

crouching over a sketch pad,

her hair hanging

in thick clustered tendrils.

 

Now, near the end of her death march

she steps carefully across

the stage at graduation,

a victim of chemical warfare,

bald and bony and ashen,

smiling bravely at the

harsh flash of the

commemorative camera.

 

Who would have thought

her frail form could

muster such majesty?

That such a young girl

could model for her elders

how one might die,

bravely, beneath the buzzing

of early June’s whispered promises?

The Bluegrass Blues

Click the grey arrow above for sound.

 

Banjos make me blue.  There’s

pain in that frenetic pickin’

fueled by moonshine and misfortune,

 

pain that goes all the way back to Ireland,

black potatoes and fickle lasses,

the death of lovers or worse.

 

Fiddling can get downright dolorous, too,

that high lonesome keening,

the breakneck pace

 

the manic flipside of poverty.

Saturday night

shouting on the hills of glory

 

but returning to the shack

to find the chickens dead

and Pretty Polly’s tearstained letter.

***

Picture Shelley plucking a banjo,

Shelley in one of those silk

two-toned cowboy shirts

 

singing through his nose

about how the saddest songs

end up being the sweetest,

 

a fiddle taking up the strain,

a quick, pained grin to the audience

as he nods his head to the music.

shelley other view

The Cancan Do Man

Click the grey arrow above for sound.

Get my cannabis from Canada,
not Cancun, like you might think.
Canonized saints in white lab coats
cure the shit in absinthe, baby.

I can cancel out a credit card
quicker than RD Foxx can say
cock-a-doodle-do, a bone fide
can do type of dude.

Can you dance the cancan, baby?
Like the poster in your apartment?
You know, a little dab’ll do you.
You know that, I know that.

Yes, I can’t take no for an answer.
I been hurt, hurt, hurt, yes I been –
Why can’t you see that I can do?
Can do, babydoll, not a problem.

Gonna pick myself right up off
the canvas of unrequited love,
do the “Shadowbox” with my badself
on a moonless midnight in December.

A can do type of fooooool.
Did I mention my Canadian doobies?
That I’m a Cancer, have eaten a Toucan?
That’s right, baby, big bright beak and all.

Image

Rousseau’s The Dream

Rousseau's The Dream

Naked, reclining on a couch,
comfortable, self-satisfied,

braids, two tentacles
hanging in high humidity.

The surrounding flora as lush
as green as innocence.

Blue lotuses thrive on dry land,
the moon a mint in a pale jade smudge of sky.

But one of the lions is crouching and looking alarmed
at our intrusion into her world.

The other cocks her head to the lilt of the piper’s song:
tall and tanned and young and lovely –

Wait, is that the piper’s cousin hanging from the vine,
half a chromosome once removed?

The Fall is spreading out in concentric circles:
a beak plucks its first worm, the elephant raises its trunk,

the suddenly shy snake slinks away to brood,
the lions’ stomachs are beginning to growl.

The Darwinian dance is commencing;
It’s time we slowly took our leave.

Axis Mundi

Mooyo Neimar: Entering the Navel of the World

One: Womb

Thump-thump, thump-thump, thump-thump,
floating here for millennia,
seems like forever,
one-cell two-cell ameoba-minnow frog
reptillian brain stem
morphing
mammalian
tail,
lungs, lobes,
cerebella,
Amniotic Sea.
now dreaming,
sucking a thumb,
cramped, safe,
thump-thump,
thump thump.

Two: Birth

Spewing
into searing fluorescent light.
The cold
unmuffled scorch
of your own highpitched screaming.

Dialectics, man.
You can’t travel
in outer space.
Waaaaaaaaaaaaahhhhhhhhh!
The twin orbed goddess
is cradling you, cooooooooooooooing,
too la loo ra loo ral . . .

Three: School

See Dick run. Run, Dick, run.

Listen
up.

The owl and the pussy cat went to sea [. . .]
I tink I taw a puddy tat.

Look,
look!

We loved with a love that was more than a love.

tink a tank a
tunk a tunk tunk.

Four: Adventure

You, the cartoon mouse,
comfy and safe,
peering from a cave,

across a distant fluorescent galaxy
of linoleum
linoleum
linoleum
geometric patterns
accordion-like
pantheistic patterns receding into infinity.

The smell of food, the smell of blood

boom boom boom boom

the thumping of a bass!

Five: Stepping Out

Sighing like a train,
passing through a thicket,
evening’s misty monocle.

Holmes’s hat, a hound’s tooth,
footprints in the mole-tunneled mush:
mold – musk – rotting humus.

Over your shoulder
the fading village lights
blinking – sinking – no more –

* * *

It’s getting near dark – follow the prints,
the staggering Prince,
What if [he (the bastard)] tempt you

toward the flood [. . .]
or the dreadful summit of a cliff [. . .]
beetl[ing] o’er his base [. . .]

What if? Think. Placenta,
playpen, pup tent.
Too la loo la rhy.

* * *

Siren’s song, scratchy recording,
fly me to the moon.
that’s one small step

The lake, like a moat,
two oars, a boat, flat bottomed,
wooden, warped.

Gliding through the mist, an owl’s
desolate four notes,
lakewater lapping, lisping, yes!

Six: Jonah *

Swallowed up!
fright of fall, diminishing scream, right
flailing, tumbling, per second
per second, cartwheeling, and
disappearing
black reek,
splashing,

swimming,
clinging to flotsam
luce muto.

Walk this way ?

Yes.

Oui, da. si si

O, C., CC Ryder

Going like mad [,] and yes[,]

I said yes I will yes.  And there was a stair,

and,

I walked 

right 

up.

Seven: The Axial Age

Demographics, man,
the cloak of invisibility,
you can travel in outer space,

diving into the dark,
driving like a bat,
exploiting the mazes of Old Milwaukee,

your own heart thumping,
flipflopped foot stomping the accelerator,
“Quark, erg, quark, erg, quark, erg,”

Boom – out go the lights.
The spinning stops.
Thunderous silence.

* * *

Up through the attic door
you enter the Bardo,
skipping the Pythagorean,

skirting the Druidic sacrifice,
ambiguous moans, the panting,
the rasp of ripping silk.

Dimly aware of the ecstatic static electricity,
flipflopped, through the portal
of the seven sacred vowels, you pass,

ignoring the Good News,
dismissing desert deprivation,
avoiding eye contact w/ warrior and virgin.

* * *

The rotary motion of samsara ceases.
Matter doesn’t matter.
Form is

Emptiness.
Emptiness
form.

uncreated
all pervading
immaterial

impersonal
self-existing
indestructible

Eight: Glimpsing the Goddesses *

An open door
at the top of the stairs.
Safe and sound,

you enter the deepest
chamber of all the temple
all the tea in China

There is a velvet couch,
two sacred serpents
entwined like lianas.

* * *

too la loo ra loo ral
knitting up the raveled sleeve of care
twin orbs, sun and moon,

too la loo melting into perfect crystaline unconsciousness
la ral



* * *
For six days you sleep
then arise

not you
not I
not we

thump thump
thump thump

Nine: Going Home **

Exhausted ogres with denture breath and walkers,
witches in wheelchairs,
dragons flattened like frogs.

A tip of the hat
Daisy, Daisy
not a cloud in the sky.

The boogie man’s
diabetic, his
feet swaddled in gauze.

The big bad po-please-man,
porcupine buzzcut, obese,
blowing bubbles on a park bench.

The unforgiving nun,
now near ninety or so,
suffering a sponge bath.

Look, Jonathan Edwards
bowing to you
as you whistle a tune:

O Daisy, Daisy,
I’m half crazy
too la loo la loo

Ten : Again, the Threshold *

The lake, a mirror,
the sky, a mirror,
Mirror, mirror [. . . ]

A sail, a skiff,
glitter of sun rays
The receding temple

as unsubstantial
as the coast of Connemara
wrapped in mist.

Too la loo la loo ral
Too la loo la lye

The sun climbing,
the cove
coming into view.

No cliffs here – just a
path of pine straw
in the forest.

No big bad wolves or
gingerbread houses.
Or fathers’ ghosts.

Thump thump
goes the heart.
Thump thump
goes the earth.
Thump thump
go the drums.

Eleven Two Brains, Two Worlds

But you and I’ve, we’ve been through that,
like this, like this and that,

like the reptilian: the Inquisitions, the jihads,
like man, like been there, like done that.

Like the neo cortex: Sanskrit, Pali, Linear B,
algebra, calculus.

like the motion of twin orbs,
like the valley of the shadow

as if silence is whispering something
there, in the silence, some thing

whispering
there

no here
no here, right here, right now. Now!

Twelve: OM

Advice to Method Actors Playing Charles Bukowski

Drew Friedman's Portrait of Charles Bukowski

Portrait of Charles Bukowski by Drew Friedman

 

Click the grey arrow above for sound.

Advice to Method Actors Playing Charles Bukowski

First, you gotta plow and pit your face
so infants in strollers burst bawling
when they see you on the sidewalk pacing,
stopping, grabbing your pen, scrawling
lines that stagger like drunks across
a coaster lifted from some shit hole joint
in East L.A. You gotta, of course, toss
down at least a fifth of rotgut and do a couple of joints
before noon. Feel the hurt her repulsion brings
when you notice the cute salesgirl wince.
Whine about the wine, the tattered wings
of that heartbreaking filly Pegasus.
Think Milton’s Satan in a methadone clinic,
self-destructive, self-loathing, sardonic.

~Wesley Moore